Shelley Duvall Net Worth
Shelley Duvall has an estimated net worth of $500 Thousand. Well regarded for her ability to portray quirky and eccentric characters, actress Shelley Duvall has starred in ‘Thieves Like Us,’ ‘Popeye’ and ‘The Shining,’ among other films. She earned the majority of her income from movies and TV shows.
Location scouts for director Robert Altman discovered Shelley Duvall at an engagement party in 1969. Duvall went on to appear in several Alfred Hitchcock films, including Thieves Like Us (1974) and Popeye (1976). (1979). In 1980, she co-starred with Jack Nicholson in Stanley Kubrick’s The Shining as Wendy Torrance. In addition, Duvall founded two successful television production companies.
To calculate the net worth of Shelley Duvall, subtract all her liabilities from her total assets. Investments, savings, cash deposits, and any equity she has in a house, car, or other similar asset are included in the total assets. All debts, such as loans and personal debt, are included in total liabilities.
Here’s the breakdown of her net worth:
|Net Worth:||$500 Thousand|
|Monthly Salary:||$4 Thousand+|
|Annual Income:||$40 Thousand+|
|Source of Wealth:||Actor, Television producer, Screenwriter|
Shelley Alexis Duvall was born on July 7, 1949, in Houston, Texas, as one of Bobbie and Robert Duvall’s four children and their only daughter. Duvall, according to her own account, was an artistic girl with a lot of energy, whom her mother eventually dubbed “Manic Mouse.” In a 2012 interview, Duvall admitted, “I was a little terror at times!” “I used to run around a lot, knocking stuff over.”
Duvall graduated from Waltrip High School in 1967 and went on to study nutrition and diet therapy at South Texas Junior College. Duvall worked as a cosmetics salesperson at a local department store to help pay for school.
Her acting career happened by chance. Duvall was discovered by a pair of location scouts hired by director Robert Altman for his upcoming film, Brewster McCloud, in 1969, while attending an engagement party for a Houston artist (1970).
Though Duvall’s acting experience was limited (she’d appeared in a few high school plays), Altman was drawn to her striking appearance, particularly her large eyes, lanky build, and engaging, toothy smile, and offered her a role in his upcoming film. Duvall accepted and went on to play a Houston Astrodome usher and Brewster McCloud’s love interest in the film.
Despite its poor reception, Brewster McCloud launched Duvall’s career and established a working relationship with Altman that would benefit both of them in the years to come. They worked together on Altman’s next film, McCabe and Mrs. Miller (1971), as well as Thieves Like Us (1974), Nashville (1975), and 3 Women (1976). (1977).
Duvall was a well-known and respected Hollywood actress by the late 1970s. She reunited with Altman in 1979 for the live-action version of Popeye. Duvall was initially hesitant to embrace the film, which starred Robin Williams as the title character and Duvall as his beloved Olive Oyl, because she had been teased as an Olive Oyl look-alike as a child. Duvall eventually changed her mind, and her performance contributed to the film’s success.
In Stanley Kubrick’s The Shining, starring Jack Nicholson, Duvall played the bumbling and innocent Wendy Torrance. Working with Kubrick was, according to Duvall, the most challenging and rewarding experience of her acting career. “The first few weeks of shooting were a lot of fun, and we all got along really well,” Duvall recalled. “As a result, I couldn’t shoot a serious scene, whether it was looking shocked or terrified. I’d burst out laughing. Stanley became impatient with me after a while and just let loose. That frightened me! But keep in mind that some scenes take hours to create, and a full 12-hour shooting day may only result in three minutes on screen. So you go into a scene acting terrified or crying, and by the end of the day you just don’t have anything else to give, [but] there is Stanley Kubrick’s genius. He extracts it from you. But it was extremely difficult and exhausting.”
Duvall also contributed to the small screen. Perhaps most notably in Berrnice Bobs Her Hair, a PBS Great American Short Story Series production. In the 1990s, Duvall appeared as a guest star on shows like Frasier and Aliens for Breakfast.
In addition to her on-screen work, Duvall has established herself as a respected producer of children’s shows. Platypus Productions, which she founded in 1982, went on to produce two award-winning programs: Faerie Tale Theatre and Shelley Duvall’s Tall Tales and Legends.
Duvall founded a second production company, Think Entertainment, in 1988, and launched several new shows, including Nightmare Classics, Shelley Duvall’s Bedtime Stories, and Mrs. Piggle Wiggle.
Duvall’s acting career has been relatively quiet since the 1990s. Tired of the hustle and bustle of Los Angeles, Duvall relocated to Texas, where she has effectively retired and settled into a life raising animals and enjoying the peace and quiet. “I write a lot of poetry,” she’s admitted. “I’d love to one day publish a book of my work.” That doesn’t rule out the possibility of Duvall returning to the stage. “I still get a lot of scripts,” she has stated. “Returning to acting is always an option.”
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