Sally Field Net Worth – Salary, Income and Assets, Exposed!

Are you looking for the net worth of Sally Field? If yes, you have come to the right place.

Let’s take a close look at Sally Field and how he became so rich today.

What is Sally Field’s Net Worth? Is Sally Field a Billionaire?

Summary of Sally Field’s Net Worth

Net Worth: $55 Million
Salary: No public information
Income: No public information
Date of Birth: Nov 6, 1946
Height: 5 ft 2 in (1.59 m)
Gender: Female
Profession: Singer, Actor, Film Producer, Film director, Television producer, Screenwriter, Television Director, Voice Actor
Nationality: United States of America

Sally Field has an estimated net worth of $55 Million. Therefore, Sally Field is not a billionaire.

Sally Margaret Field ( Pasadena, California, United States, November 6, 1946 ) is an American film and television actress.

Field is a two-time winner of the Academy Award for Best Actress, for her work in Norma Rae (1979) and Places In The Heart (1984).

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She received three Emmy Awards for her lead role in the television movie Sybil (1976), Best Guest Actress for her role in ER (2000) and Best Actress in a Drama Series for her role as Nora Holden Walker in Brothers & Sisters from ABC (2007).

She has also won two Golden Globes and the Screen Actors Guild Award for Best Actress, as well as the Best Female Performance award at the Cannes Film Festival for Norma Rae (1979).

In 2012, Field received Academy Award, Golden Globe, BAFTA and Music Award nominations for Best Supporting Actress for her performance in Steven Spielberg’s Lincoln, in which she portrays Mary Todd Lincoln. Actress.

In 2013, she was inducted into the American Academy of Arts and Sciences, one of the oldest and most prestigious honor societies and an important center for independent political research in the United States.

Election to the Academy has been considered one of the nation’s highest honors since its inception.

Sally Field’s Early Life

Sally Field was born in Pasadena, California, the daughter of actress Margaret Field (née Morlan) and actor Richard Dryden Field. Physicist and scientist Richard D.

Field is her brother. Her father served in the Army during World War II. After her parents divorced in 1950, her mother married stuntman and actor Jock Mahoney. Mahoney abused Field as a child, she wrote in her 2018 memoir.

As a teenager, Field attended Portola Middle School and Birmingham High School in Van Nuys, where she was a cheerleader.

Her classmates included financier Michael Milken, actress Cindy Williams and talent agent Michael Ovitz.

Sally Field’s Career

It was Sally Field’s spot-on interpretation of and effervescent performance as California surfer-girl Gidget that brought home the role in the classic 1960s sitcom of the same name.

The actress auditioned for the part while attending Birmingham High School in Van Nuys, California. She was only 15 years old when the show first aired (on ABC, 1965–1966), and even at this early stage in Field’s career, her broad range, natural talent, and sheer energy simply jumped off the screen. As she told Peggy Herz in 1973, “I had never done anything professionally before. . . . It seems so long ago. I was out of high school, but it seems like I was about 12 years old.”

“I had to learn to surf for Gidget,” she went on to say. “I don’t surf anymore, though” [because it wasn’t her type of sport]. “I’m really not adventurous. Surfing is . . . dangerous . . . and I’m afraid of dangerous things.”

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Apparently, she was very apprehensive about filming the surfing scenes for Gidget, which she had to learn to do in just three months. “It was very frightening and [the water was] very cold,” she said. “It was in the middle of winter [when the series was filmed]. It was rainy and there were difficult waves. They chose a beach that was easy to film, but difficult to surf.”

Gidget also starred Don Porter (The Ann Sothern Show) as Field’s father and Peter Deuel (later of ABC’s 1971–1973 comedy western Alias Smith and Jones, in which Sally was also featured) as her brother-in-law. Although low ratings forced its cancellation after its one and only season, the show became a hit in summer reruns. As such, ABC reconsidered its position and tried to regroup Sally with the series.

When that strategy failed, the network and executive producer Harry Ackerman (who later produced The New Gidget) cast her as Sister Bertrille in a subsequent ABC sitcom titled The Flying Nun (which was based on the novel The Thirteenth Pelican by Tere Rios).

Nun, which ran for three seasons (and at one point interspersed Gidget footage in a flashback sequence to Sister Bertrille’s alleged teen-surfing years), became a marginal hit for ABC and worked on several levels.

Not only did it coincide with Ackerman’s sturdy stable of family shows (which dated back to Bachelor Father), but it was in tune with the increasingly popular fantasy-type series that was filling the airwaves (including Ackerman’s Bewitched).

After The Flying Nun was grounded, Field returned to the small screen (opposite John Davidson) in a Bewitched-like series called The Girl with Something Extra, which debuted on NBC in the fall of 1973. Instead of magic, Field’s character possessed the power to read minds, a.k.a. ESP (extrasensory perception). But the show only lasted one season.

From there, Field gradually worked her way into more dramatic roles, for both the big screen and small, including her Emmy-nominated performance in Sybil, the 1976 TV miniseries based on the book by Flora Rheta Schreiber about a young woman with 13 different personalities.

She also went on to star in a series of successful feature films she made with Burt Reynolds, with whom she became romantically involved. The two had met and fell in love on the set of the very successful Smokey and the Bandit motion picture, released in 1977, and they’d costar again in the 1980 Smokey sequel.

In 1979 Field delivered her career-changing big-screen performance in the critically acclaimed box-office hit Norma Rae, for which she received her first Oscar.

In subsequent years she delivered stirring performances in stellar motion pictures such as Absence of Malice (1981, with Paul Newman), Places in the Heart (1984, which garnered her second Oscar), Murphy’s Romance (1985, with James Garner), Steel Magnolias (1989), and The Amazing Spider-Man (2011).

Additional performances for the big screen included her first, The Way West (1967, with Kirk Douglas), and groundbreaking TV-movies and miniseries like Maybe I’ll Come Home in the Spring and Marriage: Year One (both airing on ABC in 1971); A Woman of Independent Means (1995) and David Copperfield (2000); a dozen episodes of ER (NBC, 2000–2006); and her Emmy-winning role as matriarch Nora Walker in Brothers & Sisters (ABC, 2006–2011), among others.

As Margaret Wendt observes:

Everyone loved Sally Field as Gidget. Gidget made you happy, and Sally was fabulous in the role. And then when you heard the backstory . . . that she had not received any formal theatrical training . . . and that she had parents who were in the business who lived in LA . . . that was pretty interesting. And then she did The Flying Nun. And I liked her in that, too, because she went from being in bikinis—or two- piece bathing suits, which is what we called bikinis in those days . . . to flying around as a nun. Well, I don’t think many people can make that transition. But she did—and the audience believed her. And as Catholic school girls, my friends and I wanted her to do everything naughty to the nuns that she possibly could. We could hardly wait to see what she was going to do next.

What proved additionally intriguing is that representatives from the Catholic Church served as advisors on The Flying Nun, which was also the first regular

network prime-time scripted series to feature Catholic or Christian images—if only in the form of statues of the Blessed Mother and Jesus—placed in the background. “That’s really why we loved that show so much,” Wendt emphasizes. “Sally as Sister Bertrille gave those of us attending Catholic schools something to identify with in very real ways. People, in general, always thought that Catholic school girls behaved themselves . . . or they said that when the nuns weren’t looking the girls would grab the boys . . . that was not true . . . at least not while in school. Most of the jokes we played were geared toward the nuns, and so Sally Field was our hero,” so much so that Wendt and her then- classmates periodically made the attempt at trying to pull off the same kind of shenanigans as Sister Bertrille. “Of course we knew it was a high-concept show,” Wendt clarifies, “but we loved it. And actually, too, the nuns in our school loved it. They felt that they were at least . . . you know . . . being recognized.”

Wendt also enjoyed watching Field in her more serious roles like Norma Rae or when she played mother to Julia Roberts in Steel Magnolias (1989). “She transitions very well into every role she plays,” and that’s not always easy:

When Sally was just starting out, television people didn’t deal with movie people, and vice versa . . . and certainly no one from Broadway talked to TV or the movie industries. Now, everyone in feature films is working in television. But when a television actress wins an Oscar as Sally had done not once but twice . . . that was a big deal. And then she returned to television in Brothers and Sisters [ABC, 2006–2011], and she was wonderful in it. She’s always believable in anything she ever does. She wasn’t like Suzanne Pleshette, who you wanted to copy her hair style . . . or like Loretta Young, who you wanted to buy her cosmetics. Sally Field was just someone that you wanted to watch . . . because she’s so talented.

In an exclusive interview, Peter Ackerman, son of Gidget/Flying Nun executive producer Harry Ackerman, shares his memories and insights of Field:

One of my earliest memories is a huge evening party that was taking place at my parents’ house and for whatever reason we boys were allowed to be present. There were Rams football players, an African explorer, actors, and actresses, and the like. I remember that night being lifted up by my dad so that I could say goodnight to Sally Field, who then was filming The Flying Nun. I was pretty quiet and shy and he held me and referring to Sally, he asked: “Peter, do you know who this is?” I nodded, and he asked “who?” and I replied “Sister Bertrille” (her character’s name) which earned me a hearty laugh from all who were gathered around us, and I tried to nurture my ability to make people laugh since.

I have heard good things about Ms. Field commenting positively about my dad in some documentary/interviews, but I do not think he was ever alive to hear those, which is a shame.

After she had been discovered (I believe she was a college cheerleader), tested and cast as Gidget, everyone was ready to go on the first day of filming, and Sally was understandably petrified.

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She came to my dad in tears and said she could not do this, and explained how frightened she was.

Dad told her that the rough part was already over, that she is Gidget and all she had to do to play the part was get in front of the camera and recite her lines. He and the others had total faith in her; otherwise she would not be there. That gave her the support she needed to get out and do the part.

Some years later when The Flying Nun was being developed and cast, my dad could only settle on one actress who could carry off what the part of the flying sister needed . . . Sally . . . while my mother, Elinor Donahue, played Sally’s sister in a few episodes of the show!

TV writing legend Larry Brody offers this conclusion on Sally Field’s landmark contribution to entertainment industry by way of Gidget:

As a kid watching her on TV I thought Sally Field was the perfect woman. She was my age and her TV personality was what I thought every woman should be . . . bright, eager, idealistic, pretty—sexy in a sweet kind of way—able to stand up and fight for herself and what she believed in.

Sally Field’s Salary

Sally Field is rich, so you can assume that his salary is higher than that of an average person.

But again, he has not publicly disclosed his salary for privacy reasons. Therefore, we cannot give an accurate estimate of his salary.

Sally Field’s Income

Sally Field might have many sources of income such as investments, business and salary. His income fluctuates every year and depends on many economic factors.

We have tried to research, but we cannot find any verified information about his income.

Sally Field’s Assets

Given Sally Field’s estimated net worth, he should own some houses, cars, and stocks, but Sally Field has not publicly disclosed all of his assets. So we can not get an accurate figure on his net worth.

Sally Field Books

In Pieces

In this intimate, haunting literary memoir and New York Times Notable Book of the Year, an American icon tells her own story for the first time-about a difficult and lonely childhood, the craft that helped her find her voice, and a powerful emotional legacy that shaped her journey as a daughter and mother.

Sally Field is one of the most celebrated, beloved and enduring actresses of our time. She has captivated the nation with her infectious charm for more than five decades, beginning with her first role on TV at the age of seventeen.

From the sweet Gidget, the “girl next door,” to the dazzling complexity of Sybil, to the Oscar-worthy ferocity and depth of Norma Rae and Mary Todd Lincoln, Field has consistently stunned audiences with her artistic range and emotional acuity. But there is one character that has always eluded her: the shy and frightened little girl inside her.

With raw honesty and the fresh, perfect prose of a born writer, and with all the humility and authenticity her fans have come to expect from her, Field takes readers behind the scenes, not only to the highs and lows of her star-studded early career in Hollywood, but also deep into the truth of her lifelong relationships-including her complicated love for her own mother.

Powerful and unforgettable, In Pieces is an inspiring and important account of life as a woman in the second half of the twentieth century.

Sally Field Quotes

It took me a long time not to judge myself through someone else’s eyes.

Sally Field


I can’t deny the fact that you like me! You like me!

Sally Field


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I haven’t had an orthodox career, and I’ve wanted more than anything to have your respect. The first time I didn’t feel it, but this time I feel it, and I can’t deny the fact that you like me, right now, you like me!

Sally Field


You just do the best you can with what you’ve got… and sometimes magic strikes.

Sally Field


Change is never easy.

Sally Field


When I was born, the doctor looked at my mother and said, ‘Congratulations, you have an actor!’

Sally Field


I really have no ulterior motive in taking on certain roles. I have no larger issue that I really want to show people. I’m an actor, that’s all. I just do what I do.

Sally Field


I would take plays and I would cut out all the other dialogue and make long monologues because I felt the other kids weren’t taking it as seriously as I did.

Sally Field


I never really address myself to any image anybody has of me. That’s like fighting with ghosts.

Sally Field


I think the first thing I did was several scenes from Romeo and Juliet.

Sally Field


The roles… the deep roles that I’ve gotten to play have turned my course. They’ve changed my life experience.

Sally Field


I was raised to sense what someone wanted me to be and be that kind of person. It took me a long time not to judge myself through someone else’s eyes.

Sally Field

View our larger collection of the best Sally Field quotes.

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How To Become Rich Like Sally Field?

Sally Field did not become rich by luck. To become as rich as Sally Field, you have to work smart.

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If you seize this golden opportunity in time, you can become as successful as Sally Field one day.

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