Rudolph Valentino Net Worth At Death
Rudolph Valentino had an estimated net worth of $2 million at death. Italian American actor Rudolph Valentino was admired as the “Great Lover” of the 1920s. He earned the majority of his income from movies.
Brando’s years of self-indulgence are visible, as he weighed well over 300 pounds in the mid-1990s. The actor died of pulmonary fibrosis in a Los Angeles hospital in 2004 at the age of 80. However, judging Brando by his appearance and dismissing his work because of his later, less significant acting roles would be a mistake. His performance in A Streetcar Named Desire brought audiences to their knees, and his diverse range of roles demonstrates his ability to explore many aspects of the human psyche.
To calculate the net worth of Rudolph Valentino, subtract all his liabilities from his total assets. Investments, savings, cash deposits, and any equity he has in a house, car, or other similar asset are included in the total assets. All debts, such as loans and personal debt, are included in total liabilities.
Here’s the breakdown of his net worth:
|Net Worth:||$2 million|
|Monthly Salary:||$15 Thousand+|
|Annual Income:||$200 Thousand+|
|Source of Wealth:||Actor|
Valentino was born in Castellaneta, Italy, to an Army officer and a veterinarian. He went to military school but was turned down for service. Valentino traveled to Paris in 1912, but he was unable to find work. He ended up begging on the streets until the following year, when he moved to New York City.
Valentino worked several menial jobs in New York before becoming a nightclub dancer. For a time, he worked with Bonnie Glass, filling in for Clifton Webb (who later became an actor). Valentino was cast in a national touring production, but it was canceled in Utah. The young performer then traveled to San Francisco to resume his dancing career. Valentino set his sights on Hollywood in 1917.
Valentino started out as a bit player, frequently playing the bad guy. Valentino married actress Jean Acker in 1919, but their marriage was never consummated. Several sources claim that Acker locked Valentino out of their hotel room on their wedding night. Acker had a romantic relationship with a woman prior to the marriage, according to experts.
Valentino piqued the interest of screenwriter June Mathis, who thought he was the ideal choice for the lead role in The Four Horsemen of the Apocalypse (1921). She had to work hard to persuade Metro executives to sign Valentino, but they eventually agreed. He captured the hearts of female moviegoers by dancing a tango in his first scene. The film was a box office success, and the darkly handsome actor quickly rose to prominence.
Valentino’s craze grew so quickly that some women reportedly fainted when they saw him in his next film, The Sheik (1921). This desert romance followed a Bedouin chief who falls in love with a cultured Anglo woman (Agnes Ayres). Valentino had another huge hit the following year with Blood and Sand. This time, he played bullfighter Juan Gallardo, who falls under the spell of a seductive seductress named Dona Sol (Nita Naldi).
Valentino’s reputation as a lothario was likely enhanced by his 1922 arrest for bigamy. After his divorce from Acker in 1921, he did not wait a full year before remarrying. He was arrested and fined after marrying actress and set designer Natasha (or Natacha, according to some sources) Rambova in Mexico in 1922. The following year, the couple remarried. Around this time, Valentino published Day Dreams, a collection of poetry that reflected the couple’s interest in Spiritualism.
Rambova assumed control of her husband’s career, much to Valentino’s chagrin. Some male critics and moviegoers were already turned off by his somewhat androgynous style, which Valentino’s subsequent films emphasized. As seen in 1924’s Monsieur Beaucaire, his wife chose parts for him that made him appear more effeminate. Valentino suffered a backlash for this change in his screen persona, despite remaining a box office success.
Valentino soon separated from his wife and returned to the type of fare that made him famous. In The Eagle (1925), he played a Russian soldier out to avenge the Czarina’s wrongs against his family. Valentino made a sort of sequel to his earlier hit, The Son of the Sheik, the following year. This silent classic was his final work.
While he remained a popular box office draw, Valentino struggled with public and media perceptions of him. After being chastised in an editorial titled “Pink Powder Puffs,” he challenged one newspaper writer to a fight. Valentino responded to the piece by writing, “You slur my Italian ancestry; you mock my Italian name; you cast doubt on my manhood.” Valentino was also subjected to widely held prejudices against immigrants, having been denied roles because he was “too foreign.”
Valentino fell ill during a promotional tour for The Son of the Sheik. On August 15, 1926, he was taken to a New York hospital for surgery to treat acute appendicitis and ulcers. Valentino developed a peritonitis infection in the days following surgery. The 31-year-old actor’s health rapidly deteriorated, and his devoted fans flooded the hospital’s phone lines with requests for the ailing star. Valentino died on August 23, 1926, nearly a week after being admitted to the hospital. “Don’t worry, chief, I’ll be fine,” he said as he died.
After his death, his reputation as the “Great Lover” of the silent screen followed him. Some speculated that he was poisoned or shot by his envious husband. Valentino was given a spectacular send-off. Thousands flocked to a funeral home for three days to see his body and bid farewell to the romantic idol. Then there were two funerals, one in New York and one in California. Among those in attendance were actresses Mary Pickford and Gloria Swanson.
Valentino, while not a great actor, possessed a magical and enigmatic quality that made him a legend. He possessed a tremendous amount of charisma, which shone through in his film appearances. And his untimely death has only added to his cult status as a pop icon.
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