Ron Howard Net Worth
Ron Howard has an estimated net worth of $200 million. Ron Howard is known for his roles on the shows ‘Happy Days’ and ‘The Andy Griffith Show,’ and as the director of such acclaimed films as ‘A Beautiful Mind’ and ‘Apollo 13.’ He earns most of his income from film production.
Ron Howard was born on March 1, 1954, in Duncan, Oklahoma. He rose to prominence as a child actor, first as Opie on The Andy Griffith Show and then as the adolescent Richie Cunningham on Happy Days. Howard went on to have a highly successful career as a director, directing films such as Cocoon, Apollo 13, A Beautiful Mind, and The Da Vinci Code.
To calculate the net worth of Ron Howard, subtract all his liabilities from his total assets. Investments, savings, cash deposits, and any equity he has in a house, car, or other similar asset are included in the total assets. All debts, such as personal loans and mortgages, are included in total liabilities.
Here’s the breakdown of his net worth:
|Net Worth:||$200 Million|
|Monthly Salary:||$1 Million|
|Annual Income:||$12 Million|
|Source of Wealth:||Actor, Film Producer, Film director, Television producer, Screenwriter, Voice Actor, Television Director|
Director, actor, and producer Ron Howard was born in Duncan, Oklahoma on March 1, 1954. Ronald William Howard comes from a theatrical family: his mother, Jean, was an actress, and his father, Rance, was both an actor and a director.
Howard made his film debut at the age of 18 months in Frontier Woman (1956), and his stage debut at the age of 2 in a production of The Seven Year Itch. The child star began making frequent television appearances and was later cast in 1959’s The Journey alongside Yul Brynner, Deborah Kerr, and Jason Robards. His performance landed him regular roles on the CBS show Playhouse 90, where he caught the attention of Sheldon Leonard, the producer of The Andy Griffith Show.
On October 3, 1960, Howard made his television debut as Andy Griffith’s son, Opie, on The Andy Griffith Show, a role that catapulted him to national prominence. Throughout his early success, his family provided a solid foundation and insisted that Howard enjoy his childhood. They restricted Howard’s work schedule, allowing him to appear in only a few outside productions, including The Music Man (1962) and The Courtship of Eddie’s Father (1963). (1963).
Howard attended John Burroughs High School at his father’s request and began dabbling in amateur filmmaking with a Super 8 camera around this time. Howard quizzed crews on the technical aspects of directing on the sets of his various productions.
When The Andy Griffith Show ended in 1968, Howard went on to star in The Smith Family in 1971, opposite Henry Fonda. Fonda encouraged Howard’s ambition, and after graduating from high school in 1972, he enrolled in the University of Southern California’s film school. Howard’s time there was brief; soon after enrolling, he landed a role in George Lucas‘ seminal teen film American Graffiti (1973). The film sparked a craze for 1950s revivals, which led to the hit television show Happy Days. Howard was the series’ lead in 1974, and his performance as Richie Cunningham catapulted him to stardom.
During the run of the show, Howard married his high school sweetheart Cheryl Alley in 1975. On the side, he appeared in films such as John Wayne’s final film, The Shootist (1976). During this time, Howard struck a deal with producer Roger Corman in which he agreed to star in Corman’s Eat My Dust (1976) in exchange for Corman assisting Howard in directing his first major film project.
The collaboration resulted in Grand Theft Auto (1977), which not only helped Howard earn his stripes behind the camera, but also inspired him to establish his own production company, Major H Productions. Three years later, he signed a three-year contract with NBC, where he produced and directed several programs.
Howard’s wife gave birth to their daughter Bryce in 1981, the first of the couple’s four children. That same year, Howard met producer Brian Grazer. In 1982, the two teamed up to direct and produce Night Shift, a dark comedy starring Howard’s Happy Days co-star Henry Winkler. Two years later, Howard and Grazer teamed up again to produce Splash, a romantic comedy starring Tom Hanks, Darryl Hannah and John Candy. The film made Howard a star director, who also directed the Oscar-winning 1985 film Cocoon.
In 1986, he and Grazer solidified their relationship and co-founded Imagine Films Entertainment. Imagine became a Hollywood powerhouse thanks to the continued success of Howard-directed films, including Willow (1988), Parenthood (1989), Backdraft (1991), Apollo 13 (1995) and Ransom (1996).
In 1998, Howard began expanding his company’s efforts into television productions with the drama Felicity. The series, about a young girl’s entry into college life, became very popular with teenagers. Its success prompted the company to produce other television series, including the 2001 action/adventure drama 24. The series, which features 24 hours in the life of government employee Jack Bauer as he deals with domestic threats, also became a hit with fans.
In 2002, Howard produced A Beautiful Mind, which won him Oscars for Best Director and Best Picture, as well as a Golden Globe for Best Film. The following year, he worked as an executive producer and anonymous narrator for another television show, the witty comedy Arrested Development. The show received numerous nominations and won Howard an Emmy for Outstanding Comedy Series in 2004.
Howard’s next feature film was the 2005 boxing drama Cinderella Man, for which he received more than 22 nominations. He followed the film’s critical success with his blockbuster hit The Da Vinci Code (2006). The film grossed over $750 million worldwide and received a Golden Globe nomination.
Frost/Nixon, a film about post-Watergate TV interviews between British talk-show host David Frost and former US President Richard Nixon, received an Oscar nomination for Best Director in 2008. He also directed Angels & Demons, the sequel to The Da Vinci Code, in 2009.
The Dilemma (2011), starring Vince Vaughn, was a rare misstep for the director, but he followed it up with the critically acclaimed racing drama Rush in 2013. The film adaptation of In the Heart of the Sea, directed by Howard, was released in 2015. Howard has several projects in the works, including Inferno, his sequel to Angels & Demons, which will be released in theaters in 2016. In addition, he is working on a documentary about the legendary rock band the Beatles.
Ron Howard Quotes
Don’t make election popularity largely a matter of which candidate hires the most creative and effective propagandists. Insist that it be, instead, a running conversation with the public.
I think it’s in our nature to try to get beyond that next horizon. I think that when we, as a species, are scratching that itch, we’re actually following an evolutionary compulsion that is wired into us. I think good things come of it.
There are creative benefits to getting older.
I’m interested in all forms of content, including Internet and gaming. On the TV side, cable has sparked a renaissance of the medium and that will continue for storytellers.
It’s hard to define change in oneself unless something really dramatic happens, like you give up some vice, fall in love, or something like that.
I developed a theory that, in many ways, the early ‘Andy Griffith’ episodes especially were an awful lot like a Capra movie. They were a lot like ‘Mr. Deeds’ or a lot like ‘It’s a Wonderful Life’ in tone and presentation.
Anytime you really take a close look at people who are dealing with the aging process, you’re going to have a complicated reaction to what you’re seeing and feeling. If you’re in the middle of it, those emotions are going to be quadrupled. It’s immediate, it’s relatable, so it’s good human drama.
You can’t expect perfection. It is important to sort of acknowledge some of our imperfections. I write them down. There’s something about acknowledging mistakes and being able to put them down on paper; they become facts of your life that you must live with. And then, hopefully, you can navigate the road a little bit better.
If I had to choose between a great acting job and a good directing job, I’d choose the directing job.
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