Robert Conrad Net Worth
Robert Conrad had an estimated net worth of $12 million at death. Robert Conrad, born Konrad Robert Falkowski, was an American actor, singer, and stuntman. He is best known for his role as the sophisticated Secret Service agent James T. West in the television series The Wild Wild West from 1965 to 1969.
He starred in a television series based on World War II ace Pappy Boyington II (later broadcast as Black Sheep Squadron). He also sang and recorded several pop/rock songs in the late 1950s and early 1960s.
Since 2008, he hosted a weekly two-hour national radio program (The PM Show with Robert Conrad) on CRN Digital Talk Radio.
He died of heart failure on February 8, 2020, at age 84.
To calculate the net worth of Robert Conrad, subtract all his liabilities from his total assets. Investments, savings, cash deposits, and any equity he has in a house, car, or other similar asset are included in the total assets.
All debts, such as personal loans and mortgages, are included in total liabilities.
Here’s the breakdown of his net worth:
|Net Worth:||$12 Million|
|Monthly Salary:||$100 Thousand|
|Annual Income:||$2 Million|
|Source of Wealth:||Actor, Film director, Screenwriter, Television Director|
Conrad was born Conrad Robert Falk in Chicago. At the time of Conrad’s birth, Leonard Henry Falk was 17 years old and of German descent. Alice Jacqueline Hartman (daughter of Conrad and Hazel Hartman) gave birth to their son at the age of 15 and named him after her father. Jackie Smith became the first advertising director of Mercury Records. Eddie Hubbard, a Chicago radio host, was one of her two husbands in 1948. Before they separated in 1958, Eddie Hubbard and Jackie Smith had one child together (born about 1949).
He attended Chicago schools such as South Shore High School, Hyde Park High School, YMCA Central School and New Trier High School. In addition to loading trucks for Consolidated Freightways and Eastern Freightways, he drove a milk truck for Bowman Dairy in Chicago at age 15.
Conrad studied drama at Northwestern College while working in Chicago for several years. He was paid for a week-long job posing in front of a Chicago movie theater showing the film Giant (1956).
His mother used her contacts in the entertainment industry to get him the role, which was intended as a publicity stunt to increase the theater’s attendance. Dick Marx, the father of singer Richard Marx, was Conrad’s singing teacher.
Whether in fiction or in reality, no male TV character of the 50s, 60s, and 70s came any tougher than Robert Conrad Conrad as James West on the unique sci-fi western, The Wild Wild West, which originally aired on CBS from 1965 to 1969.
The fact that Conrad portrayed a character named West on a series that was set in the Old West served both as a metaphor and as a wink to the program’s loyal fan-base who came to love the show’s frequent use of self-deprecating humor and style.
As Conrad once said about the series, which displayed ingenious, whimsical stories, sets, props, and performances, “It was just so elaborate and so luxurious. We had every gadget imaginable . . . [like] the little gun that [popped] out of [West’s] shoe.”
The show arrived on TV just as the western genre was giving way to the spy game. In fact, according to Susan E. Kessler’s book The Wild Wild West: The Series, show creator Michael Garrison once described it as “James Bond on horseback.”
Television and media historian James Knuttel credits Conrad’s appeal for Wild’s success, while comparing the actor’s star quality to other small-screen male legends:
I liked Conrad as James West because the role required him to take on two types of heroes rolled into one: the stalwart westerner…such as Matt Dillon [as played by James Arness on Gunsmoke] and the suave spy/secret agent…such as Napoleon Solo [as played by Robert Conrad Vaughn on The Man from U.N.C.L.E.]. Conrad handled this superbly, being charming with the ladies and tough-as-nails with the bad guys, and he did it in the tongue-in-cheek manner that fit the mood of the series. Likewise, he was a handsome man who looked great in the somewhat dandified outfits that he wore…like silk vests, bolero-style jackets, and extremely tight-fitting pants. Add to that, of course, he possessed a muscular physique that made him well up to the challenge of doing a large among of stunt work.
Set during the administration of President Ulysses Grant (1869–1877), Wild covered the exploits of a Secret Service agent team headed by Conrad’s West and Artemus Gordon, played with amusing aplomb by Ross Martin (and later, Charles Aidman as Jeremy Pike).
They deciphered crimes and mysteries, protected the president, and thwarted the schemes of myriad evil opponents, scientists, and the like, each of whom was bent on conquering any or every part of America, if not the world (including the diminutive-in-size but masterfully talented Michael Dunne as the diabolical Dr. Lovelace).
The Wild series, with its significant fantasy qualities, and high-tech mechanisms (utilized by heroes and villains alike) became a stand-out TV entertainment showcase.
The use and display of Jules-Verne-like apparatuses, in particular, led some to christen the show as one of the more “visible” origins of the steampunk subculture. Such elements became even more pronounced in director Barry Sonnenfeld’s 1999 feature film edition of the series that starred Will Smith and Kevin Kline; a movie that did not at all please Conrad.
As the actor explained at the time, he never had anything against Smith. In fact, he once heralded the multitalented music and performing star of TV’s Prince of Bel-Air as “cool.” “My kids [even] have his CDs,” Conrad gleamed.
Instead, he pinned what became the film’s unsuccessful fate on Sonnenfeld, with whom he had met before the big picture was set in motion. “Barry let his ego go out of control,” Conrad recalled. “[Sonnenfeld] told me that he had to do something to make it his film.” To which the actor replied, “Well, Barry, it’s your film. If it rises or falls, you’re the man.”
The movie fell. It was not the triumphant remake envisioned by anyone, critics or hardcore West fans, much less Sonnenfeld himself (who had faced a similar outcome with his failed attempt to redo ABC’s 1977–1984 Fantasy Island series for the network’s 1998-1999 season).
Conrad stuck to his guns, so to speak, and retained his bold bravado and stoic persona, off-screen. For, like James West, he was never one to back down from confrontation (as evidenced by his famous Eveready battery commercials from the 1980s).
Born Konrad Robert Conrad Falkowski on March 1, 1935, in Chicago, Illinois, Conrad attended Northwestern University. His parents were Leonard and Joan
Falkowski. He was married twice: Joan Kenlay (from 1952 to 1977) and LaVelda Ione Fann (from 1977 to 2010). His children include: Christian, Nancy, Shane, and Joan Conrad (from first marriage); and Kaja, Camille, and Chelsea Conrad (from second marriage).
Before playing James West on Wild, he portrayed Tom Lopaka for four seasons of the series Hawaiian Eye (1959–1963) and also on some “crossover” episodes of 77 Sunset Strip.
After Wild, he was deputy district attorney Paul Ryan for one season of the series The D.A. (1971- 1972), and Nick Carter in the TV-movie The Adventures of Nick Carter (1972). He also later starred as Jake Webster for one season in the series Assignment Vienna (1972-1973), and found more consistent success as Major Greg “Pappy” Boyington for two seasons in the series Baa Baa Black Sheep, later retitled The Black Sheep Squadron (1976–1978).
After that, he was cast as French mountain man Pasquinel in the mini-series Centennial (1978-1979) and performed as Thomas Remington Sloane III for one season in the series A Man Called Sloane (1979). His last series role was that of Jesse Hawkes for one season in the series High Mountain Rangers (1987-1988).
As Conrad once assessed his tough persona, “They only see what I want them to see, what I’m selling—an image.”
An iconic image that’s held up well over time.
Robert Conrad Quotes
I’m disappointed. I don’t care about Will Smith, I don’t want to.
Will Smith is young, he’s cool and my kids have his CDs.
You name it, we had it. It won’t happen again. You’re not going to duplicate this show.
It was just so elaborate and so luxurious. We had every gadget imaginable. You know, I had the little gun that came out, and I had the little gun in the heel of the shoe.
But I think Barry Sonnenfeld let his ego go out of control. He told me in a meeting that he had to do something to make it his film.
I’m satisfied it’s very black, meaning ‘in the black’.
Oh, that character was light years away from me. I’m not debonair. I’m not suave. I did wear tight pants, though, because I found out that it worked.
There’s a gray area there that I’m satisfied is not gray.
Well, Barry, it’s your film. So if it rises or falls, you’re the man.
You know, this whole thing about Ricky Martin, and how successful that young man is. He’s 27, I was 29.
View our larger collection of the best Robert Conrad quotes.
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