Misty Copeland Net Worth
Misty Copeland has an estimated net worth of $500 Thousand. Acclaimed ballerina Misty Copeland is the first African American performer to be appointed as a principal dancer for American Ballet Theatre. She earns most of her income from her career as a ballet dancer.
Misty Copeland overcame a difficult home life to pursue her passion for dance, eventually studying under California ballet instructor Cindy Bradley. Copeland joined American Ballet Theatre’s studio company in 2000, later becoming a soloist and starring in a variety of productions including The Nutcracker and Firebird. Copeland, an icon whose star shines beyond the world of classical dance, became the first African American performer to be appointed as an ABT principal dancer in the company’s decades-long history in late June 2015.
To calculate the net worth of Misty Copeland, subtract all her liabilities from her total assets. Investments, savings, cash deposits, and any equity she has in a house, car, or other similar asset are included in the total assets. All debts, such as personal loans and mortgages, are included in total liabilities.
Here’s the breakdown of her net worth:
|Net Worth:||$500 Thousand|
|Monthly Salary:||$10 Thousand|
|Annual Income:||$200 Thousand|
|Source of Wealth:||Ballet Dancer|
Early Life and Family
Copeland was born in Kansas City, Missouri on September 10, 1982. She was the fourth child in a family of six. Copeland’s mother, Sylvia Delacerna, had several marriages and boyfriends, causing the family to pack up and move under stressful circumstances at times.
Copeland and her siblings eventually settled in the California coastal town of San Pedro. Delacerna’s relationship with her fourth husband was turbulent: he was emotionally and physically abusive to his stepchildren and wife, and he referred to them with racial slurs.
Training and Early Career
Copeland, who later described herself as an anxious child, found solace in the halls of school and the world of performance, developing a love of movement and connecting with the story of Romanian gymnast Nadia Comaneci. Copeland would practice dance routines to Mariah Carey songs at home and was eventually chosen as the captain of her middle school drill team.
The team’s teacher suggested that Copeland take ballet classes at the Boys and Girls Club where she already went. Copeland eventually achieved this under the tutelage of Cynthia “Cindy” Bradley, who recognized the youngster as a prodigy, able to see and perform choreographed movement instantly and dance en pointe after only a few months of ballet training.
While her dancing career was flourishing, Copeland’s home life was difficult, with Delacerna leaving her husband and the family eventually relocating to a motel.
Delacerna and Bradley eventually agreed to let the 13-year-old dancer live with her teacher’s family. Copeland was thus able to continue her training while also breaking into the public eye as a promising up-and-coming performer, appearing at special events like a charity event with actress Angela Bassett.
Around the same time, Copeland played the lead in Debbie Allen’s The Chocolate Nutcracker. “She’s an incredibly gifted ballerina…a She’s child with a soul that dances,” Allen said of Copeland in the December 1999 issue of the Los Angeles Times Magazine. “I can’t think of anything else she could do.”
An ABT Ballerina
Copeland’s mother demanded that she return home after attending a summer intensive program at San Francisco Ballet on scholarship. With local media coverage, a battle erupted between Bradley and Delacerna, with Copeland, at the age of 15, considering legal emancipation from her biological parent. The request was eventually withdrawn, with Copeland being escorted by police and returning to live with her mother.
Copeland, on the other hand, refused to give up her career. After studying at the Lauridsen Ballet Centre, she attended a summer intensive at the renowned American Ballet Theatre in 1999.
In September 2000, she joined ABT’s studio company, and the following year, she joined the corps de ballet. In 2007, Copeland was promoted to ABT soloist, demonstrating artistic tenacity in works such as Marius Petipa’s La Bayadère, Alexei Ratmansky’s Firebird and The Nutcracker, and Twyla Tharp’s Sinatra Suite and Bach Partita, among many others.
While suffering from severe injuries, Copeland continued to pursue her passion and develop her skills across a diverse repertoire. Due to a delayed puberty, she suffered a vertebral fracture at the start of her ABT career, necessitating time off from dance and the use of a brace for nearly the entire day. Years later, she had to take a break from dancing to recover from stress fractures in her left shin.
With a non-traditional entry into ballet, Copeland has garnered attention outside of the ballet world as one of the few African American performers in classical dance. Throughout her meteoric rise, she has consistently acknowledged the responsibility she feels toward brown girls trying to make their way in the arts.
Her trailblazing achievements have been recognized by a variety of institutions, and she was named one of Time Magazine’s 100 Most Influential People in spring 2015, a rare feat for someone in the dance world.
Copeland became the first African American woman to dance with ABT in the dual roles of Odette and Odile in Tchaikovsky’s Swan Lake in June 2015. Then, on June 30 of that year, Copeland made history by becoming the first African American performer to be appointed as an ABT principal dancer in the company’s 75-year history. An emotional Copeland stated in tears at a subsequent news conference that the announcement was the culmination of her lifelong dream.
A few days later, it was announced that Copeland would replace Megan Fairchild in the role of Ivy Smith in the Broadway revival of Leonard Bernstein’s On the Town for two weeks in late summer.
Other Media Endeavors
Through the guidance of manager Gilda Squire, Copeland has also been able to forge a career outside of the traditional traditions of ballet. Copeland has her own 2013 calendar, endorsement deals with COACH and American Express, a spot on Prince’s Welcome 2 tour, and a guest appearance on So You Think You Can Dance. She is also one of the stars of Under Armour’s “I Will What I Want” video campaign, with her clip receiving over 8 million views and counting. Copeland is also a member of President Barack Obama’s Fitness, Sports, and Nutrition Council.
The ballerina has also become a literary force, publishing two books in 2014: the New York Times best-selling memoir Life in Motion: An Unlikely Ballerina, co-written with journalist Charisse Jones, and the award-winning children’s picture book Firebird, illustrated by Christopher Myers.
Copeland inspired a Barbie doll in May 2016 to wear a costume similar to the one she wore in Firebird. The doll is part of Barbie’s Sheroes program, which recognizes female role models who push the boundaries.
On July 31, 2016, Copeland married attorney Olu Evans in Laguna Beach, California. Before getting married, the couple had been together for a decade.
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