Maureen O’Hara Net Worth At Death
Maureen O’Hara had an estimated net worth of $10 Million at death. She was an Irish-born actress who was billed alongside Hollywood’s leading men in a slew of features in the 1940s. She earned the majority of her income from movies and TV shows.
Maureen O’Hara was a Hollywood actress who appeared in swashbucklers such as Sinbad the Sailor and The Black Swan alongside Hollywood’s leading men. O’Hara rose to prominence after appearing in the Christmas classics Miracle on 34th Street, Our Man in Havana, and The Parent Trap.
To calculate the net worth of Maureen O’Hara, subtract all her liabilities from her total assets. Investments, savings, cash deposits, and any equity she has in a house, car, or other similar asset are included in the total assets. All debts, such as loans and personal debt, are included in total liabilities.
Here’s the breakdown of her net worth:
|Net Worth:||$10 Million|
|Monthly Salary:||$100 Thousand+|
|Annual Income:||$1 Million+|
|Source of Wealth:||Actress, Singer|
Maureen FitzSimons was born on August 17, 1920, in Ranelagh, Ireland. Maureen grew up in a close-knit Irish Catholic family as the second oldest of six children. Charles, her father, was a businessman, and Marguerite, her mother, was a stage actress and opera singer. Maureen showed an early interest in drama when she staged family presentations; in school, she participated in singing and dancing.
Maureen enrolled in Dublin’s prestigious Abbey Theatre School while she was still in her early teens, where she studied drama and music. She was offered a lead role with the Abbey Players after graduating in 1937, but she chose to try her hand at film acting instead. She then relocated to London to screen test for an English feature. Despite the fact that the film was never made, her impressive audition caught the attention of Oscar-winning actor and producer Charles Laughton. Laughton helped launch Maureen’s career by recommending her for the role of orphaned Mary Yelland in Alfred Hitchcock’s British-made film Jamaica Inn after convincing her to change her surname to O’Hara (1939). Although the film received mixed reviews, O’Hara was praised for her convincing performance.
In 1939, O’Hara signed a contract with RKO Studios under the tutelage of Laughton. In the summer of that year, she moved to Hollywood and made her American film debut as the alluring gypsy Esmeralda (opposite Laughton’s Quasimodo) in RKO’s lavish production The Hunchback of Notre Dame.
In the 1941 drama How Green Was My Valley, O’Hara gave a haunting performance as the Welsh daughter of a mining family, marking her first collaboration with legendary director John Ford. The film won top honors at the Oscars in five categories, including Best Picture and Best Director.
O’Hara was billed alongside Hollywood’s leading men in a slew of swashbuckling features while fulfilling contract commitments with both RKO Studios and 20th Century-Fox. Among the best were 1942’s The Black Swan (starring Tyrone Power), 1947’s Sinbad the Sailor (starring Douglas Fairbanks, Jr.), and 1949’s Bagdad (with Vincent Price). In between action films, O’Hara was cast as a single working mother whose strong rational beliefs are challenged by Santa Claus in the 1947 holiday classic Miracle on 34th Street.
O’Hara was frequently cast as the heroine in elaborate Technicolor features during the 1940s and 1950s. Her fiery red hair, green eyes, and peaches and cream complexion, combined with her strong-willed personality, earned her the nickname “Queen of Technicolor.” O’Hara starred in films such as Buffalo Bill (1944), The Spanish Main (1945), The Flame of Araby (1951), and The Redhead From Wyoming (1952).
O’Hara’s career took a new turn in 1950, when she was cast as John Wayne’s estranged wife in John Ford’s romantic Western Rio Grande. O’Hara and Wayne had great screen chemistry, and she played his leading lady in a string of films over the next few years. Wayne and O’Hara also appeared in Ford’s lyrical drama The Quiet Man (1952) and the critically panned The Wings of Eagles (1953).
Singing and Comedy Roles
O’Hara shifted her career focus in the early 1960s. In a series of television appearances, record albums, and the Broadway musical Christine, she displayed her attractive singing voice (1960). Later that year, she co-starred with Alec Guinness in the quirky film adaptation of Graham Greene’s novel Our Man in Havana. Following that, he appeared in a number of lighter roles in family comedies, including The Parent Trap (1961), Mr. Hobbs Takes a Vacation (1962), and How Do I Love Thee (1970). (with Jackie Gleason).
In the comedies McLintock! (1963) and Big Jake (1964), O’Hara reunited with long-time friend and costar John Wayne (1971). O’Hara moved to St. Croix, Virgin Islands, with her third husband, aviator Charles F. Blair, whom she married in 1968. Following Blair’s death in 1978, O’Hara briefly took over as president of Antilles Airboats (a Caribbean commuter airline). She also contributed a general interest column to the tourist publication The Virgin Insider.
O’Hara returned to film acting after a 20-year hiatus with a role in the bittersweet comedy Only the Lonely (1991). Throughout the rest of the 1990s, she appeared in a number of television movies, including The Christmas Box (1995) and Cab to Canada (1998). She most recently appeared in the television film The Last Dance as a retired high school teacher (2000).
O’Hara received an honorary Academy Award in 2014 for her seven-decade career onscreen, which “glowed with passion, warmth, and strength.”
Personal Life and Children
In 1938, O’Hara was briefly married to George Hanley Brown (their marriage was annulled in 1941). She married director William Price later that year. Before divorcing in 1953, the couple had a daughter, Bronwyn Price. O’Hara’s third marriage to aviator Charles F. Blair ended tragically on September 2, 1978, when Blair died in a plane crash. Blair held the distinction of being the first pilot to fly solo over the Arctic Ocean and North Pole.
O’Hara died in her sleep in her Boise, Idaho home on October 24, 2015, at the age of 95.
In a statement, her family said, “Her characters were feisty and fearless, just like she was in real life.”
“She was also very proud to be Irish, and she spent her entire life sharing her heritage and the wonderful culture of the Emerald Isle with the rest of the world.”
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