Leonard Bernstein Net Worth
Leonard Bernstein had a net worth of $5 million at the time of his death in 1990. Leonard Bernstein was one of the first American-born conductors to receive worldwide fame. He composed the score for the Broadway musical ‘West Side Story.’ He earned most of his income from album sales and concerts.
Inspired and insatiable in his conducting style, Leonard Bernstein made his big breakthrough as conductor of the New York Philharmonic in 1943. He was one of the first American-born conductors to lead a world-class orchestra. He composed the music for the musical West Side Story. After battling emphysema, he died at the age of 72.
To calculate the net worth of Leonard Bernstein, subtract all his liabilities from his total assets. Investments, savings, cash deposits, and any equity he has in a house, car, or other similar asset are included in the total assets. All debts, such as personal loans and mortgages, are included in total liabilities.
Here’s the breakdown of his net worth:
|Net Worth:||$5 Million|
|Monthly Salary:||$70 Thousand|
|Annual Income:||$1 Million|
|Source of Wealth:||Conductor, Composer, Pianist, Teacher, Writer, Music Director|
Leonard Bernstein was born in Lawrence, Massachusetts, on August 25, 1918. His grandmother adored his birth name, Louis, but his family always called him Leonard or Lenny, which he officially renamed himself when he was 16. His father, Sam Bernstein, was a Russian immigrant who was destined to become a rabbi in his native Ukraine.
After settling in New York City’s Lower East Side, the elder Bernstein began working as a fish cleaner. He eventually got a job sweeping floors in his Uncle Henry’s barbershop and then worked for a dealer stocking wigs. He eventually built a fairly profitable business distributing cosmetics. Leonard grew up knowing that business and success were paramount, and that “occupations” in music and art were simply out of the question.
Leonard began playing the piano at the age of ten. His Aunt Clara was divorcing and needed a place to keep her massive upright piano. Lenny adored the instrument in every way, but his father refused to pay for lessons. Determined, the youngster raised his own small sum of money to cover the cost of a few sessions.
He was a natural from the start, and his father was impressed enough to buy him a baby grand piano for his bar mitzvah. The young Bernstein found inspiration everywhere and played with zeal and spontaneity that astounded everyone who heard him.
He went to Boston Latin School, where he met Helen Coates, his first real teacher and lifelong mentor. Lenny attended Harvard University after graduating, where he studied music theory with Arthur Tillman Merritt and counterpoint with Walter Piston. He attended a Boston Symphony concert conducted by Dmitri Mitropoulos in 1937.
When Bernstein saw the bald Greek man gesture with his bare hands, exuding a rare kind of enthusiasm for every score, his heart sang. Mitropoulos heard Bernstein play a sonata at a reception the next day and was so moved by the young man’s abilities that he invited him to his rehearsals. Leonard stayed with him for a week. Bernstein was determined to make music the center of his life after the experience.
He spent a year of intensive training at the Curtis Institute of Music in Philadelphia to hone his technical abilities. Fritz Reiner, a man who believed in mastering every detail of every piece, taught him to conduct.
Bernstein benefited from the discipline, but he was more than just a mechanic. Bernstein was 22 when the Berkshire Music Center at Tanglewood invited him to join 300 other talented students and professional musicians for a summer of musical exploration and performance in 1940. Leonard was one of only five students accepted into the renowned Serge Koussevitzky’s master class in conducting. The man became a father figure to Lenny, instilling in him the power and significance of music.
Musician, Composer and Conductor
Despite his passion and brilliance, Bernstein was laid off after the summer at Tanglewood. He worked odd jobs transcribing music for a while before being offered the position of assistant conductor of the New York Philharmonic by chance.
Due to the war draft, very few capable musicians remained in the United States. Artur Rodzinski, the conductor, was given the unusual recommendation of an American-born assistant, the asthmatic Leonard Bernstein. Bernstein was summoned at 9 a.m. on November 14, 1943. The symphony’s guest conductor, the esteemed Bruno Walter, had become ill. Rodzinski, capable but generous, asked Bernstein to step up and conduct the concert that afternoon.
He took a step forward. The young conductor astounded both his audience and his players. The New York Times was urged by ecstatic applause to publish a front-page article about his performance. Bernstein rose to prominence overnight, leading the Philharmonic 11 times by the end of the season.
He conducted the New York City Center orchestra from 1945 to 1947 and appeared as a guest conductor throughout the United States, Europe, and Israel. Despite his great talents, rumors about his sexuality spread like wildfire. Mitropoulos, his mentor, advised him to marry in order to put an end to the rumors and secure his career.
Bernstein married Chilean actress Felicia Cohn Montealegre in 1951. Despite the fact that friends and colleagues said Bernstein loved his wife, with whom he had three children, he continued to have extramarital affairs with young men. Trouble in Tahiti (1951), a 45-minute two-character chamber piece about a bored upper-middle-class couple, was written the same year.
Leonard’s musical career flourished further, taking him on several international tours during the 1950s. He established the Creative Arts Festival at Brandeis University in 1952. He also discovered a passion for teaching. The television shows “Omnibus” and “Young People’s Concerts” introduced him to a whole new generation of music fans.
Bernstein, a lifelong fan of both classical and popular music, wrote his first operetta, Candide, in 1956. West Side Story, his second stage work, was a collaboration with Jerome Robbins, Arthur Laurents, and Stephen Sondheim. When it first aired, the show received universal acclaim, rivaled only by its film adaptation in 1961.
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