Jodie Foster Net Worth 2022 – How Did She Get Rich? Exposed!

Jodie Foster Net Worth

Jodie Foster has an estimated net worth of $100 Million. She is an award-winning American actress best known for her roles in the films Taxi Driver,’ ‘The Accused’ and ‘The Silence of the Lambs.’ She earned the majority of her income from movies and TV shows. 

Jodie Foster received an Oscar nomination at the age of 12 for her performance as a child prostitute in Martin Scorsese’s Taxi Driver (1976), and went on to win a Golden Globe and an Academy Award for The Accused (1988). She then starred in the critically acclaimed film The Silence of the Lambs (1991). Foster has worked as a successful film director and producer in recent years, in addition to acting.

To calculate the net worth of Jodie Foster, subtract all her liabilities from her total assets. Investments, savings, cash deposits, and any equity she has in a house, car, or other similar asset are included in the total assets. All debts, such as loans and personal debt, are included in total liabilities.

Here’s the breakdown of her net worth:

Name: Jodie Foster
Net Worth: $100 Million
Monthly Salary: $700 Thousand+
Annual Income: $8 Million+
Source of Wealth: Actor, Musician, Film director, Film Producer, Voice Actor, Television Director

Early Career and Education

Foster was born Alicia Christian Foster (later nicknamed “Jodie”) on November 19, 1962, in Los Angeles, California. Foster is the youngest of four children born to Evelyn “Brandy” Ella and Lucius Fisher Foster III. At the tender age of three, the future Academy Award winner began her acting career as the Coppertone Girl in a television commercial for the iconic brand of suntan lotion.

Foster, a precocious and bright child from birth, began talking at nine months and had taught herself to read by the age of three. Despite never having taken an acting class, she jumped into show business with her first television show, Mayberry R.F.D., in 1968. She went on to have a busy career as a child actress, with Brandy Foster by her side, playing the dual role of manager and mother. Foster later recalled, “My mom managed me when I was young.” “I still value her influence. She was strong and self-educated, but she wasn’t pushy. While I worked, she’d stay in the trailer and read magazines.”

Foster’s first appearances on the big screen were in the Disney films Napoleon and Samantha (1972) and One Little Indian (1973). (1973). Foster was balancing a demanding course load and becoming fluent in French while attending the private prep school Lycée Français de Los Angeles.

Foster’s memorable and contentious breakthrough film role came when she was only 12 years old. Foster played a child prostitute who becomes the obsession of the title character, played by Robert De Niro, in Taxi Driver (1976), an iconic and dark Scorsese film set in the gritty underbelly of 1970s-era New York. Foster received an Oscar nomination for Taxi Driver, establishing her as a teenage star and leading to roles in popular films such as Freaky Friday (1976) and Foxes (1980), cementing her place as Hollywood’s next darling.

Foster, on the other hand, was uneasy about her growing celebrity. She enrolled in Yale University after graduating from high school in search of anonymity and an ordinary collegiate experience. The famous Ivy League rigor did not appear to frighten the young actress, who enrolled immediately in upper level French courses. “I chose Yale primarily for the writing and literature,” she explains. “Of course, you can’t be sure — you might get your first D and decide to major in chemistry.”

A disturbed man named John Hinckley Jr. shattered the young actress’s dream of a quiet college life in 1981 when he attempted to assassinate US President Ronald Reagan, claiming he did it to impress her. Hinckley became obsessed with Foster while she was in college, writing her love letters and calling her on the phone. She eventually testified in Hinckley’s trial, admitting that the experience had left her deeply shaken. Nonetheless, Foster returned to work soon after the incident, co-starring in Svengali with Peter O’Toole, and found solace in acting from the intense and unwelcome scrutiny Hinckley’s actions had brought her.

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Acclaimed Actress and Director

Foster made the transition from child star to mature actress after graduating from Yale, appearing in a series of mostly unremarkable films through the mid-1980s. Her next critically acclaimed role was as rape survivor Sarah Tobias in The Accused, in another intense and gritty film (1988). She won both an Academy Award and a Golden Globe for Best Actress for this performance, establishing her as one of Hollywood’s most respected serious actresses.

Foster made another strong impression in 1991 with her performance as FBI agent Clarice Starling in the blockbuster hit The Silence of the Lambs (1991), in which Foster’s character goes head to head with Anthony Hopkins‘ unforgettable psychopath Hannibal Lechter. Foster won her second Academy Award and a Golden Globe for this role.

Foster turned to directing after establishing himself as one of Hollywood’s biggest stars and enjoying the professional and financial freedom to pursue a different path. When asked to differentiate between acting and directing, she stated, “You have power, but you also have 175 people working for you. Acting is exhausting for me. I’m always energized when I’m directing. It’s more difficult to direct. I can come in and express myself, then leave. It is a huge passion of mine.” Little Man Tate (1991), her feature-film directorial debut, received widespread acclaim from critics.

Foster continued to act in hit films such as Maverick (1994), Contact (1997), and the box office smash Panic Room in between her occasional directorial projects (2002).

Foster’s script selection ranges from blockbuster to indie to foreign. She played a nun, Sister Assumpta, in The Dangerous Lives of Altar Boys (2002), while also producing the film. Foster returned to big-budget Hollywood fare with Flightplan in 2005, after appearing in a small role in a French film, The Very Long Engagement (2004).

Later Career

In recent years, Foster has been very selective about her projects. In the offbeat drama The Beaver, she reunited with her Maverick colleague Mel Gibson (2011). Foster directed the film and co-starred with Gibson in it. Around this time, she also collaborated with Roman Polanski on his dramatic comedy Carnage (2011). In the film, Foster and John C. Reilly play a New York City couple who get into a fight with another couple (Kate Winslet and Christoph Waltz).

Foster has continued to make films in recent years. In the science fiction film Elysium, she co-stars with Matt Damon (2013). Around the same time, she began work on a new directing project, Money Monster (2016), about a television star who becomes a Wall Street guru thanks to insider information.

Foster received a Golden Globe nomination for Best Performance by an Actress in a Supporting Role for her work in The Mauritian in 2021.

Cecil B. DeMille Award

Foster received the Cecil B. DeMille Award in January 2013, an honorary Golden Globe Award given annually to a performer for “outstanding contributions to the world of entertainment” by the Hollywood Foreign Press Association. In her acceptance speech, the famously private actress and director thanked her former partner, Cydney Bernard. Bernard was described as “one of the deepest loves of my life… my heroic co-parent, my ex-love partner but righteous soul sister in life, my confessor, ski buddy, consigliere, most beloved BFF of 20 years.” Foster made public her sexual orientation for the first time in her speech. She also admitted that she and Bernard had raised two sons together. In her speech, she said, “I am so proud of our modern family.” “Our amazing sons, Charlie and Kit, who are my blood and soul, my reason to breathe and evolve.”

Personal Life

Foster married photographer and actress Alexandra Hedison in a private weekend ceremony in April 2014. The couple started dating in October of 2013.

Further Reading

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