Jessica Tandy Net Worth At Death – Salary, Income, Earnings

Jessica Tandy Net Worth At Death

Jessica Tandy had an estimated net worth of $20 Million at death. She was an English American actress well known for her role in Broadway’s ‘Foxfire’ and her Oscar-winning performance in the film ‘Driving Miss Daisy.’ She earned the majority of her income from movies.

Jessica Tandy was an English-born American actress best known for her roles in Foxfire on Broadway and Driving Miss Daisy, for which she won an Academy Award (1989). Tandy won a Tony Award for her performance as Blanche DuBois in A Streetcar Named Desire. She was married to actor Hume Cronyn and appeared in several films with him, including The Gin Game (1977) and Cocoon (1985).

To calculate the net worth of Jessica Tandy, subtract all her liabilities from her total assets. Investments, savings, cash deposits, and any equity she has in a house, car, or other similar asset are included in the total assets. All debts, such as loans and personal debt, are included in total liabilities.

Here’s the breakdown of her net worth:

Name: Jessica Tandy
Net Worth: $20 Million
Monthly Salary: $100 Thousand+
Annual Income: $1 Million+
Source of Wealth: Actress

Learn More: Top 30 Richest Actors In The World

Childhood & Early Life

Jessica Tandy was born on June 7, 1909 in Hackney, London as Jessie Alice Tandy. Her father, a traveling rope manufacturer’s salesman, died when she was 12 years old. Jessica and her siblings were raised in relative poverty by their mother, Jessie Helen née Horspool.

Jessie Helen Tandy was the headmistress of a mentally retarded school. She took a second teaching job at a night school to supplement her income after her husband died. Jessica was the youngest of three children born to her parents, with two older brothers.

Despite having to work hard to make ends meet, Jessie Helen had high hopes for her children and tried to raise them intellectually above their peers. Jessica learned to appreciate words from her mother, who read them poetry on a regular basis.

They were also taken to museums and theaters by their mother. Jessica enjoyed the atmosphere at the theatre, but she began fidgeting near the end. Her brothers frequently staged plays at home, but Jessica, despite her young age, showed little talent for acting. She described herself as a “graceless lump.”

Jessica was admitted to the Dame Alice Owen’s School, which was located in the London Borough of Islington at the time. Her frequent bouts of illness, however, hampered her studies.

Her interest in theatre began when, at the age of 13, she began accompanying her mother to night school because she was too young to be left alone at home. She enrolled in a Shakespeare appreciation class there and quickly fell in love with the Bard.

Jessica, then 15, enrolled in a three-year dramatic course at the Ben Greet Academy of Acting in 1924. Her mother encouraged her to do so because she thought it was a dignified way for her to exit the situation.

Early Career

Jessica Tandy, previously known as Jessie Alice Tandy, made her professional debut on November 22, 1927, as Sara Manderson in ‘The Manderson Girls.’ The play, which was performed at Soho’s Playhouse Six, earned her an invitation to Birmingham Repertory Theatre.

Her career took off quickly after a brief stint with the Repertory. She made her West End debut in 1929, landing a role in C. K. Monroe’s ‘The Rumour.’

She made her Broadway debut as Toni Rakonitz in ‘The Matriarch’ in 1930. On the advice of the play’s producer, Lee Shubert, she changed her name from Jessie to Jessica during this trip.

When she returned to England, she was invited to play Olivia in Shakespeare’s “Twelfth Night” by the Oxford University Dramatic Society. Despite accepting the offer, she yearned to play Viola.

In Christa Winsloe’s ‘Children in Uniform,’ she made a splash as Manuela, a rambunctious schoolgirl. Her portrayal was so intense that the audience was too moved to clap after one performance, remaining silent even after the show had ended.

She made her film debut as a maid in ‘The Indiscretions of Eve’ in 1932. Throughout this time, she continued to appear in new plays, appearing in over a dozen of them. At the same time, she began honing her skills in classics, particularly Shakespeare.

When she was asked to play Viola at the Old Vic in February 1934 and the Manchester Hippodrome in April 1934, it was a dream come true for her. She played Ophelia in John Gielgud’s legendary play ‘Hamlet,’ which was staged at the New Theatre in November.

Jessica appeared as Viola in Tyrone Guthrie’s ‘Twelfth Night’ in February 1937, sharing the stage with Laurence Olivier. She also played the character Sebastian. In the same year, she reprised her role as Katherine in ‘Henry V,’ alongside Laurence Oliver.

In 1938, she played the role of Ann Osborne in her second film, ‘Murder in the Family.’ Meanwhile, she kept working on stage. She had become the toast of the West End by that point.

Tandy appeared at the Old Vic in 1940 as Cordelia alongside Arthur John Gielgud in ‘King Lear,’ and as Miranda in ‘Tempest.’ Soon after, the theatre hall was severely damaged by German bombings, and all performances were halted. Her marriage ended in divorce the same year.

Learn More: Top 30 Richest Actors In The World

In the USA

Jessica Tandy moved to New York City with her six-year-old daughter in 1940 after accepting an invitation to star in the play ‘Jupiter Laughs.’ Because of the ongoing Second World War, she was only permitted to take a small amount of money out of the country, resulting in severe financial stress.

‘Jupiter Laughs’ premiered on Broadway in September 1940 at the Biltmore Theatre. She played Dr. Mary Murray in the film. Despite her success, she was unable to land another role because of a Broadway rule that required foreign actors to wait six months between two engagements.

She then began playing Princess Nadia in ‘Mandrake the Magician,’ a radio show that aired on the Mutual Broadcasting System beginning November 11, 1940. Later, she stated, “That was a trying time. It was critical that I earn a living, and I couldn’t.”

She returned to the stage in April 1942, playing Cattrin in ‘Yesterday’s Magic.’ She married Hume Cronyn the same year and moved to Hollywood, where Cronyn had landed a role in Alfred Hitchcock’s ‘Shadow of a Doubt.’

Tandy was not considered beautiful enough to be a star in Hollywood. In fact, she had no roles for the first two years. Finally, in 1944, she landed a supporting role in ‘The Seventh Cross,’ in which her husband Cronyn played Paul Roeder.

Tandy continued to appear in minor roles in films until 1947. She portrayed Louise Kane in ‘The Valley of Decision,’ Kate Leckie in ‘The Green Years,’ Peggy O’Malley in ‘Dragonwyck,’ and Nan Britton in ‘Forever Amber’ (1947).


Jessica Tandy’s fortunes changed in January 1946, when she appeared in Tennessee Williams’ ‘Portrait of a Madonna’ at Hollywood’s Las Palmas Theater. Her performances piqued William’s interest, and he cast her as Blanche DuBois in his next production, ‘A Streetcar Named Desire.’

On December 3, 1947, ‘A Streetcar Named Desire’ premiered at the Ethel Barrymore Theatre in New York City. Tandy was a huge success, winning a Tony Award for her performance. Brooks Atkinson of The New York Times described her performance as “almost incredibly true” in his review.

In 1948, she landed her first leading role as Janet Spence in the film ‘A Woman’s Vengeance.’ In 1950, she portrayed Catherine Lawrence in ‘September Affair.’ Concurrently, she continued to perform on stage, appearing as Hilda Crane in the same-named Broadway production in 1950.

Despite her success in ‘Streetcar,’ she was passed over when the play was adapted into a film in 1951. In the same year, she played Frau Lucie Maria Rommel in ‘The Desert Fox: The Story of Rommel.’

She also played Agnes in ‘The Fourposter,’ a two-character play that premiered on October 24, 1951, at the Ethel Barrymore Theatre. Michael, played by Hume Cronyn, was her stage husband. Following that, the husband-wife team collaborated on a number of stage productions.

Tandy appeared in two films in the late 1950s, ‘The Glass Eye’ and ‘The Light in the Forest,’ as well as three episodes of the television anthology series ‘Alfred Hitchcock Presents.’ She received critical acclaim for her performance in the Broadway production of ‘Five Finger Exercise.’

Her next significant work was ‘Hemingway’s Adventures of a Young Man,’ published in 1962. Tandy received a Golden Globe nomination for her performance as Helen Adams. Her two other significant works from this period were Alfred Hitchcock’s film ‘Birds’ (1963) and Edward Elbee’s Pulitzer Prize-winning play ‘A Delicate Balance’ (1966).

She began the 1970s as Marjorie in ‘Home,’ and as the Mouth in Samuel Beckett’s dramatic monologue, ‘Not I.’ (1972). In the latter play, dressed entirely in black, Her teeth were coated and polished because all eyes were on her mouth.

She won two prestigious awards for her performance as Fonsia Dorse in ‘The Gin Game’ in 1977. Meanwhile, she had appeared in two films: ‘Bicentennial Minute for August 31, 1775, Destruction of Boston’s Liberty Tree’ (1975) and ‘Butley’ (1976). (1976).

The 1980s were a busy decade for Tandy, and her career suddenly took off. She received two more prestigious awards in 1982 for her performance as Annie Nations in the Broadway production of ‘Foxfire.’ She played Amanda Wingfield in the play ‘The Glass Menagerie’ in 1983.

She also appeared in a number of films in the early 1980s, including ‘Honky Tonk Freeway,’ ‘The World According to Garp,’ ‘Still of the Night,’ ‘Best Friends,’ ‘The Bostonians,’ and ‘Terror in the Aisles.’ Then, in 1895, she received praise for her performance in ‘Cocoon.’

She made her final stage appearance in 1986, playing Lady Elizabeth Milne in ‘The Petition,’ for which she received her final Tony Award nomination for best actress in a play. In 1987, she appeared in two films, ‘Foxfire’ and ‘Batteries Not Included,’ both of which won awards.

Her greatest success came in 1989, when she starred as Daisy Werthan in ‘Driving Miss Daisy.’ She had previously appeared in ‘The House on Carroll Street’ and ‘Cocoon, the Return’ in 1988.

Tandy was diagnosed with ovarian cancer in 1990. Despite this, she continued to act in 1991, appearing in ‘The Story Lady’ and ‘Fried Green Tomatoes.’ She was nominated for several awards for her performances in both films.

Despite her illness and age, she continued to act in ‘Used People’ in 1992 and ‘To Dance with the White Dog’ in 1993. In 1994, she played herself in the documentary ‘A Century of Cinema,’ as well as two films, ‘Camellia’ and ‘Nobody’s Fool.’ The last two films were released after his death.

Learn More: Top 30 Richest Actors In The World

Family & Personal Life

Jessica Tandy married English actor Jack Hawkins on October 22, 1932. Susan, the couple’s daughter, was born. After eight years of marriage, their divorce was granted on January 2, 1940.

Tandy married Canadian actor Hume Cronyn in September 1942 and spent the next 52 years with him. Tandy Cronyn and Christopher Cronyn were the couple’s two children. She was born in the United Kingdom and became an American citizen in 1952.

Tandy battled ovarian cancer for the last four years of her life. She was also plagued by glaucoma and angina. She passed away on September 11, 1994, at the age of 85.

Further Reading

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