Jayne Mansfield Net Worth At Death – How Did She Get Rich? Exposed!

Jayne Mansfield Net Worth At Death

Jayne Mansfield had an estimated net worth of $2 Million at death. She was an American actress best known for her bombshell curves and film roles during the 1950s and ’60s. She earned the majority of her income from movies and TV shows.

Jayne Mansfield, a provocateur of her time, rose to fame and pin-up status in the 1950s, landing roles in films such as Kiss Them for Me (1957), The Sheriff of Fractured Jaw (1958), and It Takes a Thief (1959). (1960). She had a career lull in the 1960s, but she continued to act in minor roles on film and stage. Mansfield was 34 years old when he died in a car accident on June 29, 1967.

To calculate the net worth of Jayne Mansfield, subtract all her liabilities from her total assets. Investments, savings, cash deposits, and any equity she has in a house, car, or other similar asset are included in the total assets. All debts, such as loans and personal debt, are included in total liabilities.

Here’s the breakdown of her net worth:

Name: Jayne Mansfield
Net Worth: $2 Million
Monthly Salary: $20 Thousand+
Annual Income: $200 Thousand+
Source of Wealth: Actor, Pin-up girl, Model, Showgirl, Singer, Entertainer, Violinist, Pianist

Early Life

Vera Jayne Palmer was born on April 19, 1933, in Bryn Mawr, Pennsylvania. Herbert Mansfield was an attorney and musician, and her mother Vera had previously worked as a schoolteacher. Mansfield suffered a childhood tragedy when she was three years old, when her father died of a heart attack while driving with the family. Mansfield later reflected on the tragedy, saying, “Something has left my life… My earliest memories are my favorites. I try to recall the good times when Daddy was alive.”

To support herself and her daughter, Mansfield’s mother returned to teaching, and in 1939 she married a sales engineer named Harry Peers. The household relocated to Dallas, Texas.

Mansfield grew up in the middle class and was later reported to be an above-average student under the supervision of her strict mother, who enjoyed learning languages. She was also an innate performer. Mansfield studied voice, dance, and violin, and she would frequently stand in her driveway, playing her violin for passersby on the sidewalk.

Mansfield was 16 years old when she met Paul Mansfield, a 20-year-old, at a Christmas party and fell in love with him right away. They secretly married in January 1950, just a few months before Mansfield graduated from Highland Park High School. Jayne Marie, her daughter, was born later that year.

Mansfield studied drama at Southern Methodist University and the University of Texas at Austin, appearing in local plays such as Arthur Miller’s Death of a Salesman. After Paul returned from the Korean War in 1954, Mansfield persuaded him to accompany her to Los Angeles so she could pursue her dream of becoming a movie star.

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Beginning of Hollywood Career

Mansfield’s first years in Hollywood were filled with disappointment. She had failed auditions for Paramount and Warner Bros. and was forced to work selling candy at a movie theater. She also looked for modeling work, but at a professional photoshoot for a General Electric advertisement, she was cropped out because she appeared “too sexy” for 1954 audiences, according to photographer Gene Lester. Nonetheless, Mansfield was able to make her television debut that year with a role in the Lux Video Theatre series.

As Mansfield struggled to break into show business, her marriage suffered, and she and Paul divorced in 1955, though she chose to keep his surname. That same year, she made her big-screen debut in three films: Pete Kelly’s Blues, Hell on Frisco Bay, and Illegal.

Original Wardrobe Malfunction

Mansfield demonstrated a no-holds-barred approach to self-promotion, and she took steps to set herself apart from the many curvy blonde starlets attempting to make it big in Hollywood at the time. The model/actress made pink her signature color, wearing it, driving it, and eventually purchasing a pink-themed home dubbed “the pink palace.”

In the mid-1950s, Mansfield was just starting to make a name for herself when her top mysteriously fell off in a pool flanked by numerous journalists while attending a media gathering related to Jane Russell’s Underwater in Florida film.

Commercial Success

As one journalist put it, Mansfield “suffered so many on-stage strap and zipper mishaps that nudity became a professional hazard for her.” She signed a contract with Warner Bros. shortly after the Underwater incident and later that year landed the role of Rita Marlowe in the hit Broadway production Will Success Spoil Rock Hunter?, which ran for 444 performances. She also appeared in the 1957 film adaptation of the play. Those performances cemented Mansfield’s reputation as a marquis actress, and she went on to appear in films such as Kiss Them For Me (1957), co-starring Cary Grant, The Wayward Bus (1957), The Sheriff of Fractured Jaw (1958), and It Takes a Thief (1959).

Nonetheless, her photographs were seen by far more people than her films—from September 1956 to May 1957, Mansfield reportedly appeared in 2,500 newspaper photographs.

Throughout the 1950s, she also modeled for the newly launched Playboy magazine.

Mansfield thus joined the pantheon of Marilyn Monroe-inspired blonde sex symbols of the era. (Monroe was actually quite dismayed by the way Mansfield seemed to parody her image, and at one point wished she could sue the actress.)

Attempt to Reignite Career

After seeing her domestic career fade and focusing on European films, Mansfield made headlines again in 1963 when she became the first American actress to appear naked in a major motion picture, Promises! Promises! While the film received positive reviews, it did not relaunch her film career, and she only appeared in a few more films, including Panic Button (1964), The Fat Spy (1966), and Single Room Furnished (1967).

Mansfield later returned to the stage with an acclaimed performance in Bus Stop and went on to become a successful Vegas headliner and nightclub performer. Her act included song, comedy, and impromptu audience interaction.

Personal Life

Following her divorce from Paul in 1955, Mansfield’s personal life took a turbulent and highly publicized turn that frequently overshadowed her acting career. In 1958, she married Mr. Universe winner Mickey Hargitay, who had previously worked as one of Mae West’s musclemen. Mansfield and Hargitay had three children, including future actress Mariska, and co-starred in several films, including Hercules and the Hydra and Promises! Promises!

However, Mansfield and Hargitay’s relationship was turbulent, and in 1964, Mansfield married director Matt Cimber, with whom she had worked on Bus Stop. The couple married in Mexico, despite the fact that it was later determined that she had not officially divorced Hargitay. Mansfield and Cimber had one child before they divorced. Mansfield later had a rocky and allegedly abusive relationship with Sam Brody, the attorney she hired to help with her divorce proceedings.

Fatal Car Crash

Mansfield, Brody, and a hired driver were in the front seats of a Buick Electra on June 29, 1967, on their way to a morning TV interview in New Orleans, Louisiana, after a nightclub performance in Biloxi, Mississippi. The three children of Mansfield and Hargitay were also riding in the back. The car crashed into and went under a slowed tractor-trailer believed to be obscured by pesticide spray shortly after 2 a.m., killing all three front seat passengers. Mansfield was only 34 years old when she died. Despite their injuries, her children survived the crash.

Following that, the National Highway Traffic Safety Administration mandated that all tractor-trailers have a rear under guard, also known as the Mansfield bar.

Further Reading

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