Grace Kelly Net Worth At Death
Grace Kelly had an estimated net worth of $40 Million at death. She starred in such movies as ‘Dial M for Murder’ and ‘The Country Girl,’ before leaving Hollywood to marry Prince Rainier III of Monaco. She earned the majority of her income from movies.
Grace Kelly rose to prominence as a leading Hollywood actress after starring in High Noon. She also appeared in the Alfred Hitchcock films Rear Window, Dial M for Murder, and To Catch a Thief, in addition to her Academy Award-winning performance in The Country Girl. Kelly left Hollywood after marrying Prince Rainier III of Monaco in 1956, becoming Princess Grace. She was killed in a car accident in her adopted country in 1982.
To calculate the net worth of Grace Kelly, subtract all her liabilities from her total assets. Investments, savings, cash deposits, and any equity she has in a house, car, or other similar asset are included in the total assets. All debts, such as loans and personal debt, are included in total liabilities.
Here’s the breakdown of her net worth:
|Net Worth:||$40 Million|
|Monthly Salary:||$300 Thousand+|
|Annual Income:||$3 Million+|
|Source of Wealth:||Fashion Model, Crown Princess, Actor|
Grace Patricia Kelly was born in Philadelphia, Pennsylvania on November 12, 1929. Her father, John Brendan “Jack” Kelly, was an Olympic gold medalist sculler for the United States rowing team. He was a self-made millionaire who ran one of the most successful brick-and-mortar businesses on the East Coast. Margaret Katherine Majer, her mother, was the first coach of women’s athletic teams at the University of Pennsylvania. Kelly was the third of four children and was named after her father’s sister, who died when she was a child.
As a child, Kelly expressed a strong desire to perform. She modeled with her mother and sister on occasion, in addition to participating in school plays and community productions. She continued to fantasize about acting while attending Stevens School, a small private high school in Philadelphia. The arts were important in the Kelly family: two uncles influenced her greatly: Walter C. Kelly, a vaudevillian performer, and George Kelly, a Pulitzer Prize-winning playwright. George later encouraged his niece to pursue a full-time acting career, mentoring her throughout her ascension in Hollywood.
Early Career in NYC
Kelly decided to pursue an acting career in New York City after graduating from high school. Kelly’s parents were dissatisfied; according to Kelly’s close friend Judith Balaban Quine, Jack Kelly considered acting to be “a slim cut above streetwalker.” Kelly enrolled in the American Academy of Dramatic Arts despite this. She modeled part-time as a student, appearing in advertisements for Old Gold cigarettes and on the covers of magazines such as Cosmopolitan and Redbook. Her final Academy performance was in A Philadelphia Story, a role she would later reprise in the 1956 film adaptation, High Society (1956).
Kelly sought a career on Broadway after graduating from the Academy at the age of 19, but found it difficult. “She would never have had a career in the theater,” Don Richardson, one of her directors and teachers, later said, because she had “great looks and style, yes, but no vocal horsepower.”
Regardless, Kelly discovered that film was a better fit for her talents. Kelly moved to Hollywood shortly after World War II, when the film and television industries were thriving. She would eventually appear in 11 films and over 60 television shows.
Kelly was 22 years old when Gary Cooper discovered her on the set of her first film, Fourteen Hours (1951). He arranged for her to play his young wife in High Noon (1952), an acclaimed Western that launched her career.
Kelly then appeared in Mogambo (1953), a Kenyan-set film starring Clark Gable and Ava Gardner. Kelly had an affair with Gable while filming, later saying, “What else is there to do when you’re alone in an African tent with Clark Gable?” Mogambo was a watershed moment in Kelly’s career, as she received her first Academy Award nomination and a Golden Globe Award for Best Supporting Actress. MGM offered her a seven-year contract, which she accepted on the condition that she spend every other year in Manhattan to pursue stage work.
‘Rear Window,’ ‘Dial M for Murder’ and ‘To Catch a Thief’
Kelly declined the role of Edie Doyle in On the Waterfront (1954) in order to work with her soon-to-be friend and mentor Alfred Hitchcock. Kelly collaborated with the legendary master of suspense on three films in the 1950s: Rear Window (1954), Dial M for Murder (1954), and To Catch a Thief (1954). (1955). With her beauty, style, and “sexual elegance,” Hitchcock saw Kelly as the epitome of the femme fatale.
‘The Country Girl’
Kelly won the role of Georgie Elgin in The Country Girl in 1954, alongside Bing Crosby and William Holden. Kelly’s role as the dowdy and neglected wife of an alcoholic was not glamorous. She delivered a raw and unusually stripped-down performance that earned her an Academy Award nomination for Best Actress. This time, she triumphed over Judy Garland (A Star Is Born) to win the Academy Award.
Marriage to Prince Rainier
Kelly was one of the world’s highest-paid and most respected actresses at this point in her career. She was invited to join the United States Delegation Committee at the Cannes Film Festival in France in 1955. During a photo shoot, she met Prince Rainier III of Monaco, who was looking for a bride. Monaco would be annexed to France if he did not produce an heir. The prince once described his ideal bride as follows: “I see her with long hair the color of autumn leaves floating in the wind. Her eyes are blue or violet with gold flecks.” The press romanticized their relationship, portraying it as a fairy-tale romance.
Kelly gave up her acting career after marrying Prince Rainier on April 19, 1956, in a lavish and public ceremony, to become Princess Consort of Monaco. She was also forced to give up her American citizenship, and Prince Rainier of Monaco banned her films.
Princess Caroline, Prince Albert, and Princess Stéphanie were the royal couple’s three children. Despite numerous attempts by filmmakers to entice Princess Grace back into the film industry, she resisted, embracing her role as Monaco’s ceremonial leader and becoming involved in numerous cultural and charitable organizations. Though some believe she missed her acting career, she frequently spoke of the film industry’s numerous problems: “Hollywood entertains me. In public, he is holier-than-thou, but in reality, he is unholier-than-the-devil.”
On September 13, 1982, Princess Grace and her younger daughter were driving along the steep cliffs of southern France’s Côte d’Azur region when tragedy struck. She had a stroke and lost control of the vehicle, which spun off the cliff and down a 45-foot embankment. Princess Grace was rushed to the hospital with her mother and daughter, where she spent 24 hours in a coma before being taken off life support at the age of 52. Princess Stéphanie sustained a hairline vertebral fracture but survived the crash.
Kelly spent the majority of her life in the spotlight. Her on-screen beauty, self-assurance, and mystery enchanted the world, and her poise and serenity as a princess piqued the media’s interest. “The freedom of the press works in such a way that there is not much freedom from it,” she observed, with typical wit and grace.
The Grace Kelly Story (1983), starring Cheryl Ladd, aired shortly after her death. Years later, in the biopic Grace of Monaco, Nicole Kidman played the Hollywood icon turned princess (2014).
Kelly’s childhood home in Philadelphia’s East Falls neighborhood was purchased by Prince Albert II in 2016. Using old photos, the prince completely restored it to look exactly like it did when Kelly and her family lived there. Prince Albert II intends to live there on occasion with his family and will also use the 2.5-story Colonial home as offices for the Prince Albert II of Monaco Foundation. Kelly’s father built the house in 1928, and it will also host events for the Princess Grace Foundation-USA, which provides scholarships to emerging talent in theater, dance, and film.
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