George Reeves Net Worth – Salary, Income and Assets, Exposed!

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Let’s take a close look at George Reeves and how he became so rich today.

What is George Reeves’s Net Worth?

Summary of George Reeves’s Net Worth

  • Net Worth: $1 Million
  • Date of Birth: Jan 5, 1914 – Jun 16, 1959
  • Gender: Male
  • Height: 6 ft (1.85 m)
  • Profession: Actor
  • Nationality: United States of America

George Reeves has an estimated net worth of $1 Million.

George Reeves ( January 5, 1914 – June 16, 1959 ) was an American film, stage and television actor who appeared in major motion pictures and a long list of feature films from the late 1930s through the 1950s.

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He is best known for his role as Superman in the hit television series The Adventures of Superman in the 1950s and for speculation about the circumstances of his death. He was one of the first important figures in the then nascent television industry in the United States.

George Reeves’s Early Life

Born George Keefer Brewer in Iowa to Don Brewer and Helen Lescher, Reeves did not know his father, who separated from his mother a few months after the actor’s birth.

After marrying Frank Bessolo, Reeves’ mother moved to California with her family, Bessolo adopted Reeves soon after and the boy was named George Bessolo.

Helen Lescher and Bessolo’s marriage lasted fifteen years. They separated during an absence of Reeves, who learned from his mother that Bessolo had committed suicide. According to a cousin of the actor, Catherine Chase, Reeves long ignored the fact that his stepfather was still alive and was not his biological father.

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Reeves began acting and singing during high school in Pasadena and also practiced amateur boxing until his mother forbade it.

He began his acting career by joining the Pasadena Playhouse, a long-standing theater where Reeves landed prominent roles and his first starring roles. His film career began in 1939, when he played Stuart Tarleton – although incorrectly listed as Brent Tarleton – one of Vivien Leigh’s suitors in Gone with the Wind , one of the most successful films of all time.

It was a small role, but he and Fred Crane appeared in the opening scenes of the film with their hair dyed bright red, like the Tarleton twins. He was immediately hired by Warner Bros. and changed his stage name to George Reeves, as it was on his actor’s union card. In 1940 he married actress Ellanora Needles, with whom he remained for nine years.

Despite a promising start in Gone with the Wind, he had little luck at Warners and kept his head above water for years with roles in Type B films, which he shared twice with Ronald Reagan and three times with James Cagney. Torrid Zone, The Fighting 69th and The Strawberry Blonde were some of the films he starred in at the time.

Later he starred in Lydia with actress Merle Oberon, which despite his ambitious project was a failure at the box office, so he was released from his contract with Warner and went to Twentieth Century Fox, where he participated in several low-budget films. . During this period, he appeared in five Hopalong Cassidy westerns, a successful film series from the 1940s.

Finally, in 1942, director Mark Sandrich hired him to play Lieutenant John Summers, the title role in the wartime drama So Proudly We Hail! Alongside Claudette Colbert, the Paramount Pictures film was a success both at the box office and with the critics, earning him recognition for his role.

George Reeves’s Career

George Reeves remains “the definitive” Clark Kent and “Man of Steel” for the baby boomer generation, according to classic television historian Steve Randisi, who along with Jan Alan Henderson co-authored Behind the Crimson Cape: The Cinema of George Reeves.

Randisi credits Reeve’s talent and charisma with the original and continued success of Adventures of Superman (minus the “The”), which began with black-and-white episodes in early 1953 and ended with color segments in 1958. However, the platform for its initial broadcast history is, as Randisi words it, “checkered.

Some historians claim it was on ABC in some cities; then it went to syndication, then ABC picked it up briefly in 1957, after which it returned to the syndicated market. Various sources disagree about this. Complicating the story is the fact that the first 52 episodes were shot in 1951, but didn’t get shown on TV until February of 1953.”

Randisi says the show was “a favorite in both syndicated and network airings, although the network airings were comparatively brief.” Since Superman’s TV debut, Randisi adds, “all 104 ‘thrill-packed-adventures’ have never been out of circulation. In one form or another, the half-hour [episodes] have remained a profitable commodity through reruns, video and DVD releases, and, more recently, cable network airings.

“George Reeves was an excellent actor,” Randisi continues. “Not only did [he] radiate ineffable warmth with his portrayal, he epitomized believability. Reeves made his young audience believe he was Superman.

He had a wonderful way of smiling and winking at the camera, thereby acknowledging the fact that viewers were in on his ‘secret.’ It was only the other characters in the plots that didn’t know Clark Kent was Superman. [The perpetually inquisitive Lois Lane often suspected the truth, but could never prove it.]”

“Contrary to popular belief,” Randisi clarifies, “George Reeves was not the first live-action Superman. Kirk Alyn had played the role in two movie serials, Superman (1948) and Atom Man vs. Superman (1950), neither of which played on television in the fifties. And while the Reeves version was seen briefly on the ABC network, it was also one of television’s greatest successes in the syndication market.

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When the films were distributed to local stations in the mid- 1960s, viewers were seeing them in color for the first time. The last 52 half hours had been filmed in color, but were originally broadcast in monochrome. And so, when color TV became widespread in the sixties, [the character of] Superman would win a new legion of fans in the process.”

Like his noteworthy alter-male-TV-icon-ego (Clark Kent, who was sired as an alien on the planet Krypton and raised by human parents on Earth), Reeves’s birth into this world was also extraordinary, relatively speaking.

Born George Keefer Brewer on January 5, 1914, in Woolstock, Iowa, he was the son of Don Brewer and Helen Lescher. Young George arrived five months into their marriage, which is why his mother subsequently claimed an erroneous April birthdate for the infant (a development of which he learned about as an adult).

His parents allegedly separated soon after he was born, at which time Helen returned to her home in Galesburg, Illinois. She later relocated to stay with her sister in California, where she met and married Frank Bessolo. In 1925 George’s father wed a second Helen, last name Schultz, with whom he had children, while Don Brewer apparently never again laid eyes on his son.

Subsequently, Bessolo became the adopted father of George, who acquired his new stepfather’s last name. Frank and Helen divorced after fifteen years. While Reeves was visiting relatives, his mother lied to him, saying that Frank had committed suicide. Reeves’s cousin, Catherine Chase, told biographer Jim Beaver that Reeves was unaware for years that Bessolo was still alive and doing well.

With the early melodrama of his pre-teen years behind him, George became interested in theater and music in high school and later attended Pasadena Junior College, where he continued to perform in stage productions. He also had more than a passing interest in amateur boxing (heavyweight class), but his mother forced him out of the sport, fearing he might destroy his handsome face.

In 1939 he was cast in the classic motion picture Gone with the Wind, playing one of Scarlett O’Hara’s love interests (Stuart Tarleton, falsely listed in the movie’s credits as Brent Tarleton). It was a small but significant part, as he and minor-costar Fred Crane, both with brightly dyed red hair (as “the Tarleton Twins”), appeared in the epic film’s opening sequences. Soon after, the future Superman was contracted with Warner Bros., who changed his professional name to “George Reeves.”

Between the start of Gone’s production and its release twelve months later, several films on his Warner contract were made and released, making Gone with the Wind his first film role, but his fifth film release.

While studying acting at the Pasadena Playhouse, Reeves met his future wife, Ellanora Needles. They married on September 22, 1940, in San Gabriel, California, at the Church of Our Savior. They had no children and divorced ten years later.

Pop-culture historian and author Rick Lertzman summarizes George Reeves’s brief, but significant career as such:

After about a decade of minor roles in films George Reeves finally achieved a dubious type of superstardom as Superman, the idol of every pre-pubescent boy of the 1950s. Such was his fame that when he appeared in character on other shows, such as I Love Lucy, he wasn’t billed in the credits as George Reeves, but as Superman himself.

He was Superman to more than one generation, seemingly as broad, strong and sturdy as the Man of Steel himself. But when it was over, sadly his career had nowhere to go. No one suffered a worse case of type-casting than George Reeves. Whether that sad fact had anything to do with his tragic, mysterious death by gunshot [on June 16] 1959 can only be speculated.

Randisi says Reeves’s death was “officially ruled a suicide,” while “many of those closest to the actor, especially his mother, would challenge that ruling for years.”

Reeves’s successor as the combined Clark Kent/Superman character was, ironically, an actor with a similar name, Christopher Reeve (in the singular form), who also died a tragic death: a heart-attack at age fifty-two on October 10, 2004, following years of suffering various severe physical complications from a horseback-riding accident May 7, 1995. As the star of the 1978 feature film, Superman (aka Superman: The Movie), Christopher catapulted the Man of Steel role to new heights of mainstream visability.

When Superman: The Movie was released in 1978, it took Joel Eisenberg a while to get used to it. “Make no mistake,” he says, “once I did I loved it and saw it repeatedly. But it took me some time to accept the ‘Reeve’ without the ‘s.’

Why? Because my 14-year-old self did not believe Christopher Reeve was old enough to be a real ‘Superman.’ He was far too young, barely out of boyhood himself, I thought.”

Time then changed his perspective, while his adulation of Reeves remained. “He is, was, and always will be ‘Superman’ to me,” Eisenberg affirms. “George’s Clark Kent was relatively serious, not at all campy, though Adventures of Superman adapted a more camp sensibility after its first two black and white seasons. While the subsequent color seasons added dimension and humor, George was still George in the dual role; Clark was still Clark and ‘Supes’ was still ‘Supes’. . .thankfully.”

Eisenberg heard early on from his parents what happened to Reeves in the end. He grew up with the suicide story before the questions became more public. When he saw Gone with the Wind for the first time on television, years after George passed away, he was “stunned to see my ‘Superman’ in another role” (and then, briefly, in his controversial, and drastically cut, scene in From Here to Eternity).

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Eisenberg then put the pieces together and began to see why it would be difficult for Reeves to move forward with his career. He would be type-cast. For years he envisioned Reeves, in full Superman regalia, bursting through his living room shutters like he did for Little Ricky during his historic guest-star role on I Love Lucy.

While that of course never transpired, Reeves did have a history of making similar, real-life appearances, which Eisenberg was happy to see. “George Reeves may have been complex and some say tortured,” Eisenberg laments, “but neither diminishes the fact that this was a good man who left us far too soon.”

As Steve Randisi concludes, “George Reeves did not live long enough to witness the lasting joy he brought to the world with his portrayal of Krypton’s favorite son,” and while the actor’s real-life-ending adventure “remains one of Hollywood’s most tantalizing mysteries, George Reeves, man and Superman, remains an iconic figure to millions.”

George Reeves’s Salary

George Reeves is rich, so you can assume that his salary is higher than that of an average person.

But he has not publicly disclosed his salary for privacy reasons. Therefore, we cannot give an accurate estimate of his salary.

George Reeves’s Income

George Reeves might have many sources of income such as investments, business and salary. His income fluctuates every year and depends on many economic factors.

We have tried to research, but we cannot find any verified information about his income.

George Reeves’s Assets

Given George Reeves’s estimated net worth, he should own some houses, cars, and stocks, but George Reeves has not publicly disclosed all of his assets. So we cannot get an accurate figure on his assets.

George Reeves Quotes

You can if you think you can.

George Reeves

 

I’m tired. I’m going back to bed.

George Reeves

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