Gene Kelly Net Worth at Death – Salary, Income, Earnings

Gene Kelly Net Worth 

Gene Kelly had an estimated net worth of $10 million at death. Gene Kelly was a dancer whose athletic style transformed the movie musical and did much to change the American public’s conception of male dancers. He earned most of his income from his music, movies, and television shows. 

Gene Kelly was an American film actor and director who revolutionized the film musical with his athletic style and classical ballet technique. He boldly combined solo dancing, mass movement, and unconventional camera angles to tell a story entirely through visuals.

Kelly, who was athletic and energetic, was the king of musicals in the 1940s and 1950s. Kelly not only starred in some of the genre’s most well-known films, but he also worked behind the scenes, breaking new ground with his choreography and direction. Kelly is best known for his lead role in Singin’ in the Rain, which some consider to be the best dance film ever made.

To calculate the net worth of Gene Kelly, subtract all his liabilities from his total assets. Investments, savings, cash deposits, and any equity he has in a house, car, or other similar asset are included in the total assets. All debts, such as personal loans and mortgages, are included in total liabilities.

Here’s the breakdown of his net worth:

Name: Gene Kelly
Net Worth: $10 Million
Monthly Salary: $100 Thousand
Annual Income: $2 Million
Source of Wealth: Singer, Dancer, Actor, Film director, Choreographer, Film Producer, Television producer

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Early Life

Kelly, the fifth of five children, was born on August 23, 1912, in a working-class neighborhood of Pittsburgh, Pennsylvania. He was taking dance lessons while his friends were playing baseball. Kelly applied his lessons in college, teaching at a local studio to help pay for his education. He also shared the stage with his brother, Fred.

Kelly first appeared on Broadway in the late 1930s. He had minor roles in Mary Martin’s Leave It to Me! and One For the Money. Kelly starred in the popular musical comedy Pal Joey in 1940. MGM executive Louis B. Mayer noticed Kelly’s outstanding performance and offered him a film contract with his company. Kelly made his film debut opposite Judy Garland in For Me and My Gal in 1942.

Movies and Career Highlights: ‘Singin’ in the Rain’

Although he was often compared to another famous film dancer, Fred Astaire, Kelly had his own unique style. In his films, he brought dance into real life, performing for the most part in ordinary clothes and places. “All my dances came out of the idea of the ordinary person,” Kelly once explained. He also produced some of the most innovative and enthusiastic dance numbers in film, pushing the boundaries of the genre.

In Anchors Aweigh (1945), Kelly danced a duet with Jerry, a cartoon mouse-a feat that had never been done before. In On the Town (1949), in which he starred with Frank Sinatra, he had sailors perform ballet steps. In collaboration with director Vincente Minnelli, Kelly broke further new ground in dance in film with An American in Paris (1951). He choreographed the film, including the groundbreaking finale, a long ballet sequence. For his work on this film, Kelly received an honorary Oscar “in recognition of his versatility as an actor, singer, director, and dancer, and especially for his brilliant achievements in the art of choreography on film.”

The following year, Kelly co-directed, choreographed, and starred with Stanley Donen in Singin’ in the Rain (1952), one of his most famous films. Playing the role of silent film star Don Lockwood, Kelly sang and danced in the rain, cleverly using an umbrella as a prop, in what would become one of the most memorable musical performances in film history. He explained that his inspiration for the famous dance scene was the way children like to play in the rain.

After his most famous role on screen, Kelly participated in other musical films, including Brigadoon (1954), Deep in My Heart (1954), It’s Always Fair Weather (1955; which he co-directed with Donen), Invitation to the Dance (1956; which he also directed) and Les Girls (1957). In 1960 he starred alongside Natalie Wood in the romantic drama Marjorie Morningstar.

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Later Years

Kelly turned to television as interest in the movie musical began to wane in the 1960s. He appeared in two short-lived shows: Going My Way, an adaptation of the 1944 Bing Crosby film, and The Funny Side, a 1971 variety show. Kelly fared better in the 1967 television film Jack and the Beanstalk, in which he directed, produced, and starred. He won an Emmy for the children’s telefilm. Kelly also appeared on Magnavox Presents Frank Sinatra in 1973, performing a medley with Sinatra that included “Can’t Do That Anymore,” “Take Me Out to the Ball Game,” “For Me and My Gal,” and “New York, New York.”

Kelly’s later films include Spencer Tracy and Frederic March in the 1960 film adaptation of the play Inherit the Wind, and Shirley MacLaine, Paul Newman, Dean Martin, and Dick Van Dyke in the 1964 comedy What a Way to Go!

In the mid-1970s, Kelly co-hosted the documentary series That’s Entertainment! to help promote and preserve the great film musicals of the past.

Kelly largely retired from acting in the 1980s. He made his final film appearance with Olivia Newton-John in the 1980 musical fantasy Xanadu, which was a box-office flop but became a cult classic decades later. Kelly appeared in a few supporting roles and guest appearances on television shows such as The Muppet Show and The Love Boat. On tribute specials, he frequently appeared as himself.

Death and Legacy

In 1994 and 1995, Kelly suffered a series of strokes. He died on February 2, 1996, at his home in Beverly Hills, California. He was mourned by many Hollywood stars, including fellow Singin’ in the Rain actress Debbie Reynolds. “There will never be another Gene,” she told the press. “I was only 18 when we made the movie, and the hardest part was keeping up with his energy.”

In July 2012, the Film Society of Lincoln Center in New York City hosted a month-long program honoring Kelly, screening nearly two dozen of his films.

Further Reading

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