Debbie Gibson Net Worth
Debbie Gibson has an estimated net worth of $2 million. Debbie Gibson burned up the charts in the 1980s with teen pop smashes like “Lost in Your Eyes” and “Shake Your Love.” She earns most of her income from album sales, concerts and music streaming.
Singer Debbie Gibson began her career in entertainment at a young age. After writing her first song at the age of five, she became a teen pop star in the late 1980s with hits such as “Only in my Dreams,” “Shake Your Love” and “Foolish Beat,” even before she graduated from high school. After the release of her successful album Electric Youth (1989), Gibson took a break from music and began working on Broadway. On stage, she was praised for her performances in productions such as Beauty and the Beast (1997) and Gypsy (1998).
To calculate the net worth of Debbie Gibson, subtract all her liabilities from her total assets. Investments, savings, cash deposits, and any equity she has in a house, car, or other similar asset are included in the total assets. All debts, such as personal loans and mortgages, are included in total liabilities.
Here’s the breakdown of her net worth:
|Net Worth:||$2 Million|
|Monthly Salary:||$20 Thousand|
|Annual Income:||$500 Thousand|
|Source of Wealth:||Record producer, Singer-songwriter, Actor, Film Score Composer, Businessperson|
Deborah Ann Gibson was born in Brooklyn, New York on August 31, 1970, and grew up in Merrick, New York. Gibson began taking piano lessons at the age of five from Morton Estrin (who also taught Billy Joel) and quickly established herself as a musical prodigy. She wrote her first song, “Make Sure You Know Your Classroom,” when she was six years old, and she composed an opera in fifth grade. Gibson recalls, “It was called Alice in Operaland.” “Alice met characters from well-known operas.”
Gibson began performing at a young age, in addition to composing. She began acting in community theater productions at the age of five, and at the age of eight, she joined the famous Metropolitan Opera House’s children’s chorus. Gibson found time to enjoy the pleasures of childhood despite her hectic schedule as a young songwriter and performer. “I’ve never felt robbed of my childhood,” she said. “I clung to everything I could.”
Gibson set up a makeshift studio in her family’s garage and began writing and recording music in her spare time. Gibson’s parents realized their daughter’s musical talents could translate into a career when she won $1,000 in a songwriting contest as a 12-year-old (for a song she wrote called “I Come From America”). Doug Breibart was hired as Gibson’s manager, and he taught her how to arrange, engineer, and produce her own music. Gibson had recorded over 100 of her own songs by the time she was 15 in 1985.
Teen Pop Star
Later that year, Gibson signed with Atlantic Records and began working with famed music producer Fred Zarr on her debut album. In 1987, she released Out of the Blue, which shot to the top of the charts and instantly made Gibson a pop icon.
The album debuted at number seven on the Billboard Hot 100 Albums chart and was certified three times platinum. Her first two singles, “Only in My Dreams” and “Shake Your Love,” charted at No. 4 on the Billboard Hot 100. The third single from the album, “Foolish Beat,” went to No. 1, making Gibson the youngest person in history to write, perform, and produce a No. 1 single—a record she still holds today.
Gibson managed to live a double life as a chart-topping recording artist and a seemingly normal student at Merrick’s Calhoun High School. “I’d put on a baseball cap and no makeup and no one would recognize me,” Gibson remembers. She graduated with honors in 1988 and even went to her senior prom with one condition: “I asked them not to play my records that night,” Gibson recalls. “I didn’t want to spoil the evening.”
Gibson immediately began work on another album after graduating from high school in 1988. Electric Youth, her second and most famous album, was released in 1989 and spent five weeks at the top of the Billboard charts. The first single, “Lost in Your Eyes,” also reached No. 1 on the charts, and Gibson was named ASCAP Songwriter of the Year in 1989 alongside Bruce Springsteen. Gibson’s popularity as a pop star began to wane after Electric Youth. Anything is Possible, her third album, peaked at No. 41 in 1990, and Body, Mind, Soul, her fourth album, failed to crack the top 100 in 1992.
Gibson then took a break from the pop music that defined her youth to reinvent herself as a stage actress (as Deborah rather than Debbie Gibson). She made her Broadway debut as Eponine in Les Miserables in 1992. Gibson went to London immediately after finishing her run in Les Miserables to play Sandy in a West End production of Grease. Gibson’s entire nine-month run was sold out, shattering West End box office records.
Gibson played Rizzo in the Grease national tour before returning to Broadway as Belle in Beauty and the Beast (1997) and Gypsy Rose Lee in Gypsy (1998). Gibson, now firmly established as a musical theater star, went on to play leading roles in nearly every popular Broadway musical of the time. Among her notable roles are the narrator in Joseph and the Amazing Technicolor Dreamcoat (2000), Cinderella (2001), Velma Kelly in Chicago (2002), and Sally Bowles in Cabaret (2003).
Gibson’s musical theater career in the 1990s and 2000s was every bit as successful as her remarkable run as a pop sensation in the 1980s. In recent years, Gibson has shifted her focus to educating and mentoring young girls who aspire to work in the entertainment industry. Deborah Gibson founded Deborah Gibson’s Electric Youth, a youth camp for arts education, in 2008, and the Gibson Girl Foundation a year later to provide scholarships for underprivileged children to study the arts.
Gibson maintains her youthful appearance, which she attributes to her longtime boyfriend, anti-aging specialist Dr. Rutledge Taylor. And, while she is no longer a blonde-haired teen hopping around to catchy dance hooks while wearing bangs, a leather jacket, and her signature black hat, Gibson maintains a more meaningful connection with her youth.
She returns to Merrick on a regular basis, where she still knows her old friends and teachers by first names and where the faded green paint of her hopscotch board still marks the sidewalk outside her childhood home. “The lights go on in Merrick when you hear the name Debbie Gibson,” a childhood friend said.
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