Alan Alda Net Worth – Salary, Income and Assets, Exposed!

Are you looking for the net worth of Alan Alda? If yes, you have come to the right place.

Let’s take a close look at Alan Alda and how he became so rich today.

What is Alan Alda’s Net Worth?

Summary of Alan Alda’s Net Worth

  • Net Worth: $50 Million
  • Date of Birth: Jan 28, 1936
  • Gender: Male
  • Height: 6 ft 2 in (1.88 m)
  • Profession: Actor, Television Director, Screenwriter, Film director, Author, Activist
  • Nationality: United States of America

Alan Alda has an estimated net worth of $50 Million.

Alphonso Joseph D’Abruzzo ( New York, January 28, 1936 ), better known by his stage name Alan Alda, is an American actor and film director, who won six Golden Globe awards for the series M*A*S. *H.

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Alan Alda’s Career

It’s difficult not to address M*A*S*H when referencing actor/director/writer Alan Alda, and vice versa. The two are forever intertwined, particularly when it comes to discussing all things sincerely defined as masculine in the media, and certainly when it comes to profiling male icons of television.

As such, it’s best to commence a discussion about Alda with a full introduction to the media sensation known as M*A*S*H, which debuted on CBS in the fall of 1972—and which went on to become one of the most legendary television series of all time (military-based or otherwise).

The armed forces have been represented on television in many different incarnations including both dramatic and comedic shows. In the drama department, there has been Combat (ABC, 1962–1967), JAG (CBS, 1995–2005), NCIS (CBS, 2003–present), and Army Wives (Lifetime, 2007–2014).

The war comedy category dates back to The Phil Silvers Show/Sgt. Bilko (CBS, 1955– 1959), McHale’s Navy (CBS, 1962–1966), Gomer Pyle, U.S.M.C. (CBS, 1964– 1969), Hogan’s Heroes (CBS, 1965–1971), and M*A*S*H, the latter of which is most certainly the most popular military-geared series, if with a medical slant, in history.

The show’s special two-hour finale in the spring of 1983 proved as much. Titled “Goodbye, Farewell, and Amen,” this segment remains the highest-rated TV show episode ever documented.

“We wanted the series to say that war is destructive, wasteful, and stupid—and [that] there are better ways to solve problems.” So told M*A*S*H producer/director Gene Reynolds to author Peggy Herz in her book, All About M*A*S*H. Reynolds, who had worked on Room 222, and later Touched by an Angel, had partnered with writer Larry Gelbart (responsible for feature films like 1982’s Tootsie) to develop and produce CBS-TV’s M*A*S*H. The show’s title took its name from Mobile Army Surgical Hospital, and centered on a medical war unit called the 4077th—stationed in Korea during the Korean War.

Like 222 before it, M*A*S*H was a half-hour dramedy, although with a laugh-track (which 222 did not have) at least in its first few seasons. Three years after it debuted in 1972, the series became less humor-bound (but no less tragic in premise). Its original competition were long-running hit shows like The FBI on ABC and The Wonderful World of Disney on NBC. By the end of its initial year, M*A*S*H ranked at #46 in the Nielsen ratings.

But CBS remained loyal to the series. For the show’s second season, the network scheduled it on Saturday night, following its mega-hit All in the Family. The result: By the end of that year, M*A*S*H became a bona fide hit (if at the sacrifice of Bridget Loves Bernie, which it replaced).

The show began as a novel by Richard Hooker (1968) and adapted into a hit feature film in 1970 starring Donald Sutherland and Elliott Gould as unconventional doctors Hawkeye Pierce and Trapper John—characters later played by Alan Alda and Wayne Rogers in the small-screen edition.

Also in the TV edition: McLean Stevenson as Colonel Henry Blake; Loretta Swit as Margaret “Hot Lips” Houlihan; Larry Linville as her stuffed-shirt lover, Major Frank Burns; Jamie Farr as the gender-bending Corporal Clinger; William Christopher as Father Mulcahy; and Gary Burghoff as naïve but daring Radar (the only casting carried over from the motion picture).

At first there were roadblocks to the TV version. According to Herz, the language and “antics” of the medical personnel depicted may have been acceptable for adults in a movie theater, but the standards and practices of television at the time were much more restrictive than motion picture codes. “The movie was probably the funniest film of the year,” wrote Herz, but it was also “the bloodiest . . . The operating scenes were ghastly, and they were meant to be.

If there’s one thing that turns TV executives pale, it’s the sight of too much blood on the home screen.” (That was then, and certainly not now, where blood and gore are the mainstay on today’s primetime shows like The Walking Dead or Breaking Bad.)

But Alda wasn’t certain he wanted in on the show or any TV series, especially a comedy about war. As Reynolds told Herz, “[Alan] wanted to know our point of view. His concern was that the show should not glorify war or make it appear romantic. He wanted the humanity of the doctors to be emphasized.” After reading the pilot script and meeting with Reynolds and Gelbart, Alda agreed to appear on M*A*S*H, because of its unique point of view on war. “It was

probably the best television script I’d ever seen. But before agreeing to do it, I needed some assurance that they would show war as it really was. I didn’t want to get into a fun-and-games war without meaning or content or reality. But I didn’t have to worry. Larry and Gene had the same idea.”

Reynolds said the series was a “good example of theatre of the absurd . . . the whole effort of these doctors [played by Alda, Rogers, et al.] is fruitless. They repair lives that are then sent back [into combat] to be destroyed . . . We show war for what it is—tragedy. That doesn’t mean that people in the situation don’t behave in very amusing ways. They use humor as a defense mechanism. If the sum total of the show were to say that war is fun—that would be wrong.”

Herz agreed. M*A*S*H owed its success to several factors. “Brilliant writing, directing and acting . . . made it hilariously funny . . . [with] . . . a constant barrage of one-line jokes.” Yet, with all of its “irreverence,” there was also “a lot of heart . . . an undercurrent of caring. There is no moralizing or sermonizing— yet it is probably the most moral show on TV.”

Alda threw himself into the role of Hawkeye, the core voice in the series. He enjoyed the character’s candid outlook and verbiage, and straight-out moxie, and described him as possessing “some kind of caring at heart. It’s a nice role to play. [He] steps out and takes over—and that rubs off on me. I always find that certain elements of the characters I play accrue to me. That’s a way of growth.”

As the series progressed, Alda became increasingly satisfied with what he called a “deepening” in the episodes. “We tried to make [them] more interesting by going deeper into the characters and the situations. We don’t make war funny on M*A*S*H. We show the effects of war. People get hurt.

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In one episode, a guy died on the operating table. That’s unusual for a comedy show—or even a medical show. We’re not trying to get gruesome, but we want the show to be more real.” For him the show’s humor arose from how the characters responded to war, which he called “a hurtful thing. I was in ROTC in college and was a second lieutenant in the reserves. I was on active duty six months, but I didn’t have to kill anybody. I was very disturbed by the whole experience.

“Basically,” he decided, “any play, especially comedy, must be based on real people. We’re trying to see all these characters as real people.”

A respected stage actor, and son of cinema B-list actor Robert Alda, Alan had made various guest-star TV appearances on everything from the aforementioned Phil Silvers Show in 1958 to a series titled The Doctors and Nurses in 1963.

Other pre-M*A*S*H television appearances included The Trials of O’Brien and East Side/West Side. When M*A*S*H debuted in 1972, he continued performing elsewhere on the small screen, in TV-movies like Isn’t it Shocking? and The Glass House.

He also made several noteworthy feature films, before and after M*A*S*H, such as The Seduction of Joe Tynan (1979), The Four Seasons (1981), which he wrote and directed, and which costarred his good friend Carol Burnett, and Crimes and Misdemeanors (1989), among several more. In recent years, he’s been cast in regular roles on highly regarded TV shows like The Blacklist and The Big C.

However, it’s through his experience of playing the sensitive and intelligent doctor Hawkeye Pierce on M*A*S*H with which he made his monumental lasting impression as a male television icon . . . and as a human being.

As he once concluded, “No man or woman of the humblest sort can really be strong, gentle and good, without the world being better for it, without somebody being helped and comforted by the very existence of that goodness. . . . A really great actor, in a lucky performance, can transform himself or herself.

I’ve seen actors do that. But often it’s a mechanical transformation, which isn’t as interesting, and you’ve got to be careful how you go about something like that, I think . . . You have to leave the city of your comfort and go into the wilderness of your intuition. What you’ll discover will be wonderful. What you’ll discover is yourself.”

Alda on M*A*S*H played himself—and the TV audience loved him. And they still do.

Born January 28, 1936, to actor Robert Alda and Joan Brown, parents who also gave birth to his brother Antony, Alan has been married to Arlene Alda since 1957, and they have three daughters: Beatrice, Elizabeth, and Eve.

Alan Alda’s Salary

Alan Alda is rich, so you can assume that his salary is higher than that of an average person.

But he has not publicly disclosed his salary for privacy reasons. Therefore, we cannot give an accurate estimate of his salary.

Alan Alda’s Income

Alan Alda might have many sources of income such as investments, business and salary. His income fluctuates every year and depends on many economic factors.

We have tried to research, but we cannot find any verified information about his income.

Alan Alda’s Assets

Given Alan Alda’s estimated net worth, he should own some houses, cars, and stocks, but Alan Alda has not publicly disclosed all of his assets. So we cannot get an accurate figure on his assets.

Alan Alda Books

Never Have Your Dog Stuffed: And Other Things I’ve Learned

He’s one of America’s best-known and most celebrated actors – a star on Broadway, an Oscar nominee for The Aviator, and the only person ever to win an Emmy for acting, writing, and directing in his eleven years at M*A*S*H. Now Alan Alda has written a memoir as elegant, funny and moving as his greatest performances.

“My mother did not try to stab my father until I was six years old,” begins Alda’s compelling story. The son of a popular actor and a loving but mentally ill mother, Alda spent his early childhood backstage in the erotic and comic world of burlesque and, after initial struggles, achieved extraordinary success in his profession.

But Never Have Your Dog Stuffed is not a memoir about the ups and downs of show business. It is the moving and funny story of a boy who grows into a man and then finds that he has just begun to grow.

It is the story of turning points in Alda’s life, of events that make him who he is – if only he could survive them.

From the moment as a boy he gets his dead dog back from the taxidermist with a ghastly look on his face and learns that death cannot be undone, to the decades-long effort to find compassion for the mother he lived with, but whom he never knew, to accepting his father, both personally and professionally, Alda learns the hard way that change, uncertainty, and transition are what life is made of, and that true happiness can be found by embracing them.

Never Have Your Dog Stuffed, full of curiosity about nature, good humor and honesty, is the crowning achievement of an actor, writer and director, but surprisingly it is the story of a life more full of turbulence and laughter than anything Alda has ever played on stage or screen.

Things I Overheard While Talking to Myself

An insightful and funny look at some of the impossible questions Alan Alda has asked himself over the years: What matters to me? What exactly is the good life? (And what does it even mean?)

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Alan Alda picks up where his bestselling memoir left off-after being saved by emergency surgery after nearly dying on a mountaintop in Chile-and is not only glad to be alive, but also on a quest to make the most of his new life.

Searching for meaning that makes this extra time worthwhile, he listens to things he’s said privately and publicly at critical points in his life – from the turbulence of the 1960s, to his first Broadway show, to the birth of his children, to the pain of 9/11 and beyond.

Reflecting on the transitions in his life and in all of our lives, he notes that “the doors are where the truth is told,” and he wonders if there is one thing – art, activism, family, money, fame – that can lead to a “meaningful life.”

In this book that is candid, wise, and as questioning as it is incisive, Alda amuses and moves us with his unique and hilarious reflections on questions large and small. Things I Overheard While Talking to Myself is another great achievement by Alan Alda, as inspiring and entertaining as the man himself.

Alan Alda Quotes

When I was about ten years old, I gave my teacher an April Fool’s sandwich, which had a dead goldfish in it.

Alan Alda

 

You have to leave the city of your comfort and go into the wilderness of your intuition. What you’ll discover will be wonderful. What you’ll discover is yourself.

Alan Alda

 

Be brave enough to live life creatively. The creative place where no one else has ever been.

Alan Alda

 

Begin challenging your own assumptions. Your assumptions are your windows on the world. Scrub them off every once in while, or the light won’t come in.

Alan Alda

 

Laugh at yourself, but don’t ever aim your doubt at yourself. Be bold. When you embark for strange places, don’t leave any of yourself safely on shore. Have the nerve to go into unexplored territory.

Alan Alda

 

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Be as smart as you can, but remember that it is always better to be wise than to be smart.

Alan Alda

 

I’ve sat looking down into a volcano that could blow at any moment; I’ve helped catch a shark and several rattlesnakes; I let a tarantula walk across my hand, and I ate rat soup.

Alan Alda

 

Listening is being able to be changed by the other person.

Alan Alda

 

Awards can give you a tremendous amount of encouragement to keep getting better, no matter how young or old you are.

Alan Alda

 

It isn’t necessary to be rich and famous to be happy. It’s only necessary to be rich.

Alan Alda

 

Some of the greatest things, as I understand, they have come about by serendipity, the greatest discoveries.

Alan Alda

 

Here’s my Golden Rule for a tarnished age: Be fair with others, but keep after them until they’re fair with you.

Alan Alda

View our larger collection of the best Alan Alda quotes.

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How To Become Rich Like Alan Alda?

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If you seize this golden opportunity in time, you can become as successful as Alan Alda one day.

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